A literary criticism is presented on the books "Land of the Living," by John Hearne and "Mr. Potter," by Jamaica Kincaid. Particular focus is given to the portrayal of Jewish Holocaust refugees to the Caribbean Area within the aforementioned Caribbean literature, including the relationship between Jews and black Caribbean people.
Offers close readings of three texts that foreground the problems, possibilities and struggle involved in forging affective connections across difference between women: Kate Clanchy,What is She Doing Here?, 2008, Jamaica Kincaid,Lucy, 1991a and Marlene Van Niekerk, ‘Labour’, 2004. Argues that the incomplete and partial nature of affective moments represented in these texts signals possibilities for a cautiously redefined idea of affective feminist solidarity as it is mobilized in the intimacy of domestic spaces.
The erasure and denial of the female body and of female sexuality in the fiction of Erna Brodber and Jamaica Kincaid represent the erasure and denial of the colonized Caribbeans by their European colonizers. The female characters of both Brodber and Kincaid, however, retrieve their bodies through various means, from education to a realization of the power of their sexuality. This retrieval of the female body symbolizes freedom of the Caribbean body from colonization.
Literary criticism of the books "Corregidora" by Gayl Jones and "Lucy" by Jamaica Kincaid. Examines the novels' depictions of mother-daughter relationships and analyzes the cultural and psychosocial forces encountered by the protagonists.
"Although Annie John is commonly categorized as primarily Caribbean (a precursor to Kincaid’s “American” sequel, Lucy [1990]), my proposed comparison elucidates the Western and transnational leanings of this foundational “Caribbean” work and the ways in which it implicitly expands on Morrison’s representations of female autonomy and visual culture." --The Author
274 p., Argues that colonialism, or its impact, as a relation of power is threaded through the related themes of gender/sexuality, the environment, and global capitalism in Jamaica Kincaid's work. The author is interested in how the intersection of these themes enhance Kincaid's critique of the impact of colonialism on the people of Antigua and the Anglophone African Caribbean.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
191 p., Conceptualizes the idea of jolie-laide ("the beautiful ugly") as a fully elaborated sexual poetics by three women writers of the African diaspora: Gayl Jones (USA), Jamaica Kincaid (Antigua, Caribbean), and Jackie Kay (Scotland, UK). The introductory chapter situates the study in a critical and cultural context and defines key terms. The chapters that follow analyze the thematic preoccupations and narrative strategies of the three writers' respective novels ( Corregidora and Eva's Man, The Autobiography of My Mother , and Trumpet ) and historicize the novels' explicit and implicit ideologies. With their jolie-laide portrayals of gender, the body and sex and sexuality, these three writers fashion complex representations of black female sexual subjectivity and critique the biased images, exaggerations, distortions, and silences of earlier representations. Recognizing that jolie-laide can be used to problematize racial, gender, and sexual binaries, these novelists exploit the structural possibilities of a jolie-laide sexual poetics to address culturally taboo topics in explicit, graphic, and imaginative language and with inventive jolie-laide tropes. They challenge white supremacist stereotypes of black sexuality as well as the sanitized characterizations of black sex found within the literary traditions of black respectability.
Explores the connection between migration and writing in the works of Anglophone Caribbean women. Rather than focusing on the individual writer as migrant, they offer an alternative relationship in scenes that represent how writing itself migrates from one surface to another.
