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2. But this one's not funny
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Thomas,Novel (Author)
- Format:
- Newspaper Article
- Publication Date:
- 2011-09-29
- Published:
- Montreal, Quebec, Canada
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Montreal Community Contact
- Journal Title Details:
- 20 : 6
- Notes:
- [By the way [Anthony Morgan], in another University publication you're quoted as saying: "I think the bigger issue is how little we know about the history and historical contributions of Jamaicans." Well, the issue is way bigger than Jamaica; it's a "race" issue, targeting and ridiculing Black people, all of whom are people of African descent, sons and daughters of slaves.] So those students, froshers, "...were just having fun," eh? There was "nò mal-intent?" according to director [Michel Patry]. Surely they could've found another and more interesting and humanly innocuous way to have (even more) fun. The blackface skit is a sad cliché, it's passé, plus it's not funny. Except for [White] people as they seek ways to fulfill their final stage of life: their pursuit of happiness, by any means. It serves us right; it's the 'house divided' maxim. We are fractured from pulling in so many directions. We lack cohesion and the essential elements that hold people together to secure a strong !foundation. We've long cut the ties that bind, so it's very easy for people to have their way with us.
3. The performativity of Black beauty shame in Jamaica and its diaspora: Problematising and transforming beauty iconicities
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Tate,Shirley (Author)
- Format:
- Journal Article
- Publication Date:
- 2013-08
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Feminist Theory
- Journal Title Details:
- 14(2) : 219-235
- Notes:
- Focuses on the performativity of Black beauty shame as it transforms or intensifies the meanings of parts of the body in Jamaica and its UK diaspora. Uses extracts from interviews with UK Jamaican heritage women. The women’s critique of the shaming event shows that shame is undone through dis-identification as speakers draw on alternative beauty discourses to produce new beauty subjectivities.