Looks at the performance of tomboy identity in Joan Anim-Addo's collection of poetry Janie, Cricketing Lady and Margaret Cezair-Thompson's novel The Pirate's Daughter. Argues that the ongoing affects of colonialism and patriarchy in the islands of Grenada and Jamaica, shape the life narratives. To understand the way in which affect can be expressed through tomboyism in Caribbean societies, it is necessary to look at color and class alongside gender in the context of Caribbean creolization.
Beauty is constantly lived and incorporated as a meaningful social category in Brazil and intersects with racialised and gendered ways of belonging to the Brazilian nation. Article shows how middle-class women self-identifying as black embody and experience beauty and how, through practices and discourses centered on physical appearance, they both reinforce and challenge broader social and racial inequalities in Brazil.
The sexualisation of racially subordinated people has been linked to the exercise of power. This article focuses on an aspect of subordination related to the condition of being a servant, and the ‘domestication’ and ‘acculturation’ that domestic service implies in societies where black and indigenous people are often linked to ‘backwardness’. Perceived racial otherness, class subordination, gender, age and domesticated servitude together reinforce an erotic image of sexual availability, particularly in younger women.
This study examines the identity categories of gender and race in the Cuban context of the first thirty years of the Revolution and focuses on black and mulata women, in which both categories converge. In this work I analyze the literary discourse of the Afro-Cuban female poets between the 1960s and 1980s and discern the role of self-representation that each of these poets constructs within the framework of "being black" or "mulata" woman. Also, since gender and race are redefined by the dominant power, this project analyzes the political hegemonic discourse of the period in relation to race and gender, and illuminates its role in preserving racial stereotypes as well as the patriarchal normatives of gender.
Examines the work of Jamaican writer Una Marson for her engagement with the ideas of modernity and her cultural expectations as she traveled from Jamaica to London, England in the 1930s. Topics include colonialism, race and gender, modernism, and the magazine "Cosmopolitan: A Monthly Magazine for Business Youth of Jamaica and the Official Organ of the Stenographer's Association."
