As if her precious life and freedom were a game of poker, the FBI upped the ante or bounty on [Assata Shakur] to $1 million two weeks ago. In a television address last Tuesday, Cuban leader Fidel Castro rejected calls to hand over Shakur, stating that she was not a terrorist but a victim of racial persecution. "They wanted to portray her as a terrorist, something that was an injustice, a brutality, an infamous lie," Castro said in his televised speech, while never mentioning Shakur's name. "They have always been hunting her, searching for her because of the fact that there was an accident in which a policeman died."
Thanks to the federal Freedom of Information Act, citizens were made aware of a program the FBI - under the leadership of J. Edgar Hoover - enacted to "neutralize" Black leadership in America.
276 p., A critical examination of Haitian migration and displacement in North America that engages both a theoretical and literary analysis of exile and diaspora as consequences of migration and displacement. Argues that Haitian writers in North America inscribe migration by troping exile and diaspora to speak of the predicament of displaced migratory subjects and their inevitable crossings of places, landscapes, borders, cultures, and nations. Analyzes three novels by Haitian-American writer Edwidge Danticat: Breath, Eyes, Memory (1994), The Farming of Bones (1998), and the Dew Breaker (2004); and two novels by Haitian Canadian writer Myriam Chancy: Spirit of Haiti (2003) and The Scorpion's Claw (2005).
"A broad sector of Haitian grassroots organizations, women's groups, human rights activists and educators have made it clear that now is the time to end president [Aristide]'s forced exile in South Africa," said the letter, paid for by Haiti Action Committee. The letter accuses the Haitian government, the United States, France, Canada and the United Nations forces in Haiti of blocking Aristide's return. It said the Haitian government had not responded to Aristide's request for a passport and that U.S and U.N. officials had issued public statements opposing Aristide's return. The other: "We do not doubt President Aristide's desire to help the people of Haiti. But today Haiti needs to focus on its future, not its past."
Gerard Sekoto (1913-1993), one of the pioneers of African Modernism, left South Africa in 1947 to further his art training in France and engage with the School of Paris that had been so influential in the development of South African Modern art. Having managed to overcome the colour bar in a society that was racially divided well before the advent of Apartheid, Sekoto found himself alienated in post-war Paris. A Black African with no command of the French language, stumbling against the Euro-centrism of the Parisian art scene, he found a sense of community with the French-speaking African and Caribbean Diaspora rallied behind the concept of Negritude.
