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2. Caribbean Traditions in Modern Choreographies: Articulation and Construction of Black Diaspora Identity in L'Ag'Ya by Katherine Dunham
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Tafferner-Gulyas,Viktoria (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2014
- Published:
- Florida: University of South Florida
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 78 p., Examines the ways in which the African American identity articulates and constructs itself through dance. Norman Bryson, an art historian, suggests that approaches from art history, film and comparative literature are as well applicable to the field of dance research. Therefore, as his main critical lens and a theoretical foundation, the author adopts the analytical approach developed by Erwin Panofsky, an art historian and a proponent of integrated critical approach, much like the one suggested by Bryson. Demonstrates that Erwin Panofsky's iconology, when applied as a research method, can make valuable contributions to the field of Dance Studies. Uses Katherine Dunham's original recordings of diaspora dances of the Caribbean and her modern dance choreography titled L'Ag'Ya to look for evidence for the paradigm shift from "primitive" to "diaspora" in representation of Black identity in dance also with the aim of detecting the elements that produce cultural difference in dance.
3. Caribbean and Atlantic diaspora dance igniting citizenship
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Daniel,Yvonne, (Author)
- Format:
- Book, Whole
- Publication Date:
- 01/01; 2011
- Published:
- Urbana: University of Illinois Press
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 266 p, This study spans several linguistic areas of the Caribbean and parts of the Atlantic coast of the U.S., Mexico, and South America; it examines historical, national, popular, parading, sacred, and combat dances to reveal both meanings and consequences of performance. Beyond unfolding important physical and cultural significances of each genre, the analyses deepen to understand core motivations for African diaspora performance; the results are transcendence, resilience, and citizenship among dancing and music-making participants. The study repeatedly acknowledges Katherine Dunham, who began teaching the citizenship of Caribbean dance/music practices and reviews the literature since her original trilogy on Caribbean dance practices. Analyses also place local Caribbean dances as viable commodities within crucial Caribbean tourism and both cultural and economic globalization.
4. Creolizing Carmen: Reading Subversive Afra-Hispanic Performances of Maria Antonia and Isabel "La Negra" in the Caribbean
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sanko,Nadia Sophia (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- California: University of California, Los Angeles
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 221 p., Carmen (Mérimée 1845, Bizet 1875), the story about the (in)famous Gypsy dancer from Spain, is the second most adapted narrative in the history of world cinema, with over eighty global versions officially recognized to date. Despite the global reach of the Carmen phenomenon, many scholars claim that this tale has hardly been reworked in Spanish America and never in the Caribbean. Following Carmen from Spain to Spanish America, the author shows how the template of Carmen (a love story that reveals the racio-ethnic and gender stratification in Spain) has been artfully but unsuspectingly reappropriated and "creolized" in postcolonial Cuba in the controversial film María Antonia (1991) by Afro-Cuban filmmaker Sergio Giral, based on the landmark play María Antonia (1964) by Afro-Cuban playwright Eugenio Hernández Espinosa.
5. Experience 11 years of Stella Maris
- Collection:
- Black Caribbean Literature (BCL)
- Format:
- Newspaper Article
- Publication Date:
- Dec 23-Dec 29, 2004
- Published:
- Jamaica, N.Y., United States, Jamaica, N.Y.
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Weekly Gleaner
- Journal Title Details:
- p. 22
- Notes:
- The recent performance featured five of the pieces from their repertoire. Three of the pieces, 'Sankofa-Ja' (choreographed by Professor Kariamu Welsh Asante), 'Evolution' (choreographed by Abeldo 'Tokie' [Monika Lawrence]) and 'African Nite' (choreographed by Monica Lawrence assisted by Orville Hall) were added to the ensemble's repertoire this year. '[Liza]' weaves together the stories and music from 'Linstead Market', 'Mout-a-Massie Liza' and 'Every time me Memba Liza' to tell the story of a young girl who becomes disaffected with country life and goes off to the city.
6. Katherine Dunham Turns 96
- Collection:
- Black Caribbean Literature (BCL)
- Format:
- Newspaper Article
- Publication Date:
- Jun 22-Jun 29, 2005
- Published:
- Brooklyn, NY
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Haiti Observateur
- Journal Title Details:
- 25 : 13
- Notes:
- The major event -- "A Moment in Time" -- will take place on Saturday (June 25th). It's a white- tie tribute gala honoring the life mission of [Katherine Dunham]. The honorary chairs of the event -- Harry Belafonte, Danny Glover and Dick Gregory -- will be joined by a host of other luminaries, including Eugene Redman, poet-laureate of the State of Illinois, to highlight the many contributions of the "Grande Dame of Modern and African Dance" who was instrumental in projecting Haiti on the international scene in the 1940's and '50's. An alert Ms. Dunham reminisced about Haiti's "glorious days" under Presidents Estimé and Magloire. She said, "You all were too young to know about that!" When the Prime Minister said, "Oh no! We aren't that young, we were there too," she beamed and added: "So, you know what I'm talking about."
7. La voie de Chabela: Trajectoire d'une figure du candombe afro-uruguayen
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Biermann,Clara (Author)
- Format:
- Book, Section
- Publication Date:
- 01/01; 2012
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Collected Work: Musiques au monde: La tradition au prisme de la création.Pages: 47-66.(AN: 2012-11352).
- Notes:
- Chabela Ramírez, the black singer and activist born in Montevideo in 1958, is a singular personality of candombe, the only multi-form Afro-Uruguayan musical genre. Retracing her trajectory leads us through the history of Uruguay's black community (10% of the total population) and candombe, with particular attention on how this musical expression went from devalued practice to national heritage in a country deeply marked by a Eurocentric ideology. Ramírez founded and gave voice, with Afrogama, the choir and dance group that she leads, to a unique aesthetic thought that brought meaning to candombe via the field of Afro-religions (Umbanda and Batuque).
8. NDTC begins celebration of its 50th
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Rowe,Marcia (Author)
- Format:
- Newspaper Article
- Publication Date:
- Feb 16-Feb 22, 2012
- Published:
- Jamaica, NY
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Weekly Gleaner
- Journal Title Details:
- p. 12
- Notes:
- "The LTM and NDTC relationship speaks for itself, we need each other," she said, before continuing to creatively embroider her personal experiences with the NDTC into her speech. With the dance floor of the NDTC studio as the stage, the delightful evening's programme flowed with a message from the chairman of the Rex Nettleford Foundation, Carlton Davis, a vote of thanks from NDTC Musical Director, Marjorie Whylie, and excerpts from the company's' repertoire. The dances were performed by the now generation of dancers.
9. Nègres, danse et résistance: la Caraïbe du XVIIe au XIXe siécle
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Entiope,Gabriel (Author)
- Format:
- Book, Whole
- Publication Date:
- 1996
- Published:
- Paris: L’Harmattan
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 292 p
10. Queens, kings and swagga: Gender and the will to adorn in Jamaican Dancehall
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Delgado De Torres,Lena Balfour (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- New York: State University of New York at Binghamton
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 306 p., Investigates the shifts in gender constructions currently taking place in Jamaica, a peripheral nation-state, during a period which is characterized by hegemonic dissolution in the world-system. These shifts are defined by class- and gender-based conflicts over the norms, values and aesthetics associated with the traditional bourgeois classes. The fulcrum for investigation is Jamaica's Dancehall culture, which currently exhibits changes in the field of masculinity, in which clashes over the body occur constantly. These conflicts center around dress, gendered dancing styles and adornment.