Waterhouse had the better of the champions on the previous occasions they met, and as Harbour View's closest rivals, a win over them would have given Waterhouse something to hold on to. [Nicholas Beckett] was adamant that they would not be beaten, and especially not at their home ground. Amid celebrations of players, club officials and spectators, Harbour View Football Club's captain, Montrose Phinn (left), is presented the Red Stripe Premier League (RSPL) trophy by (from second left) Edward Seaga, chairman, Premier League Clubs Association, Erin Mitchell, brand manager, Red Stripe and Captain Horace Burrell, president, Jamaica Football Federation, following the Monday Night R5PL match between the east Kingston team and Waterhouse at Harbour View Stadium. Harbour View won 2-0. "One of the Waterhouse defenders was saying to watch me because I am good in the air. I turned back, giving the impression that I was not interested and then peeled off and headed back in to score," said Beckett of his fourth goal of the season.
268 p., This study used a Black feminist critical framework to examine the conditions that influence the production of black women's fiction during the postwar era (1945-60). The novels of Ann Petry, Dorothy West and Paule Marshall were studied as artifacts that were shaped by the cultural and political climate of this crucial period in American history. A survey was also conducted of their associations with members and organizations in the American Left to determine what impact their social activism had on their lives and art. It was determined that these writers' political engagement played a significant role in the creation of transformative narratives about the power of black women to resist oppression in all of its forms. As a consequence of their contribution to a rich black feminist literary tradition, these postwar black women fiction writers serve as important foremothers to later generations of black women artists.
Considers how dance, rhythm and the body become forces of social differentiation. In Cuba, many Afro-Cuban cultural practices, such as rumba, have been subject to social and spatial exclusion. In this context, sites such as the home, the street and the family emerge as highly significant for the learning and performance of Afro-Cuban music and dance.
In her exciting presentation entitled "Stuck in Traffic: Jamaican Culture Outa Road," Dr. Cooper explained that "Jamaican culture, like Jamaican traffic has special challenges." Addressing an overflow audience at the Embassy, she surveyed aspects of Jamaican Culture through a metaphorical review of the traffic situation in the country from the time of Independence.
"It's hard to explain," [Bolt] said. "I don't really know what went wrong." "I was looking to come here for a good time. I guess it's one of those days," he said. "I just never got going." "I did some starts and I was flying from the blocks so I said, "Yeah, this is good". I can't tell you what happened."
"It's the training of PE teachers, and if they don't have a PE teacher, then another that's interested in physical activity and getting children healthy! its not only about getting them involved in a formal sport, there are many children with abilities and we iust want our children to know now important it is for them to be physical and see the emotional and health benefits of getting that habit from an early age, [Heidi Clarke] added. "It helps to foster leadership, friendships and all of those things to exert energy positively."
Discusses the ways in which Santeria gatherings produce an alternative use of otherwise stigmatized language for 'gay' practitioners. Through the use of distinctive language to reference all of these populations, we may rethink the relationship between identities and practices, and within that, gender presentations vis a vis identities.
