African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
138 p, Description and analysis of the two most important religions of African descent in Cuban spiritual life: the first of Yoruban origin; the second of Congo-Bantu origin
Batur-Vanderlippe,Pinar (Author) and Feagin,Joe R. (Author)
Format:
Book, Whole
Publication Date:
1999
Published:
Stamford, CT: JAI Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
394 p, Includes Enid Logan's "El apóstol y el comandante en jefe: dialectics of racial discourse and racial practice in cuba, 1890-1999" and Mimi Sheller's "Resistance and struggle: The 'Haytian fear': racial projects and competing reactions to the first Black republic"
"The rise of the Afro-Cuban musical genre commonly known as son is representative
of Cuban society’s ability to affirm through art its primary cultural influences: Europe and Africa. Despite the successful transculturation within the music, however, the events surrounding the creation and acceptance of son reiterate the struggle between Cuban elites and the masses to define lo cubano. In this essay, I will show how the social and political conditions under which son became a representation of popular culture in Cuba served as a catalyst for the affirmation
of Cuba’s African roots, despite attempts on the part of the elite to exclude Afro-Cubans from establishing any connection to Cuban national identity." --The Author
