African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
138 p, Description and analysis of the two most important religions of African descent in Cuban spiritual life: the first of Yoruban origin; the second of Congo-Bantu origin
African American Research Center, Library, University of Illinois at Urbana-Champaign
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228 p, Contents: Canonized hybridities, resistant hybridities: Chutney Soca, carnival, and the politics of nationalism / Shalini Puri -- Soca and social formations: avoiding the romance of culture in Trinidad / Stefano Harney -- Trinidad romance: the invention of Jamaican carnival / Belinda J. Edmondson -- All that is black melts into air: negritud and nation in Puerto Rico / Catherine Den Tandt -- Positive vibration? Capitalist textual hegemony and Bob Marley / Mike Alleyne --"Titid ad pèp la se marasa": Jean-Bertrand Aristide and the new national romance in Haiti / Kevin Meehan -- Shadowboxing in the Mangrove: the politics of identity in postcolonial Martinique / Richard Price and Sally Price -- Beautiful Indians, troublesome negroes, and nice white men: Caribbean romances and the invention of Trinidad / Faith Smith -- Homing instincts: immigrant nostalgia and gender politics in Brown girl, brownstones / Supriya Nair -- Derek Walcott: liminal spaces/substantive histories / Tejumola Olaniyan
"Any attempt to trace the many resonances that historically have been attached to the creole figure in Caribbean literature and culture will be inflected by the long and pervading presence of colonialism in the region and its attendant corollary of hierarchical social separation and difference based on perceptions of race. Indeed, the ambivalent desire and subjective misrecognition that lay at the heart of historical writing about colonialism and racism have tended to frame the issues of monstrosity and exclusion that produced the creole as part and parcel of wider colonial discourses. Thus, the shifting and increasingly unstable inscription of the creole figure echoes, in a certain sense, certain critical ambiguities of politics and temporality that color the colonial encounter and its aftermath. Specifically, in the contemporary English- and French-speaking Caribbean, the multiplicity, displacement, and creative instability that undergird creole-driven theories of postcolonial performance have supplanted this category's suspect beginnings as colonialism's model for the fearfully unnameable and unplaceable hybrid monstrosity, and now increasingly shape the substance of much of the artistic and creative work emerging from the region." --The Author
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
161 p, Contents: Introduction : Who were the masters in the Americas? / Alexandra Isfahani-Hammond -- The sugar daddy : Gilberto Freyre and the white man's love for Blacks / César Braga-Pinto -- Writing Brazilian culture / Alexandra Isfahani-Hammond -- Authority's shadowy double : Thomas Jefferson and the architecture of illegitimacy / Helena Holgersson-Shorter -- Race, nation, and the symbolics of servitude in Haitian noirisme / Valerie Kaussen -- Fanon as "metrocolonial" flaneur in the Caribbean post-plantation/Algerian colonial city / Nalini Natarajan -- From the tropics : cultural subjectivity and politics in Gilberto Freyre / Jossianna Arroyo -- Hybridity and mestizaje : sincretism or subversive complicity? Subalternity from the perspective of the coloniality of power / Ramón Grosfoguel -- The rhythm of Macumba : Lívio Abramo's engagement with Afro-Brazilian culture / Luiza Franco Moreira -- Blood, memory, and nation : massacre and mourning in Edwidge Danticat's The farming of bones / Shreerekha Subramanian.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: Baltimore : Johns Hopkins University Press, 1983., 375 p, Probes deeply into the multicultural origins of Caribbean society, defining and tracing the evolution of the distinctive ideology that has arisen from the region’s unique historical mixture of peoples and beliefs. Covers the sixteenth- and seventeenth-century beginnings of Caribbean thought, pro- and antislavery ideologies, the growth of Antillean nationalist and anticolonialist thought during the nineteenth century, and the development of the region’s characteristic secret religious cults from imported religions and European thought.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
251 p, Taylor uses the works of Frantz Fanon to examine the expressive culture of the Afro-Caribbean. Focuses on the narrative of the colonized people and makes a distinction between mythic narrative and the narrative of liberation. (JSTOR)
The month of March sees thousands of West Indians in the U.S. and abroad in colorful celebration of their Phagwa holiday- the origin of which is almost mythical and its exact time of origination is not known
Examines the genesis of the French Antillean concept of Creolite that emerged in the 1980s and shows "how, through zouk, the popular music that emerged from Guadeloupe and Martinique in the early 1980s, Creolite is being defined, (re)presented, and negotiated." (author)
"While plotting out the journeys that paved the way for their creative and innovative work in Afro-Cuban and African American ethnography, this study will address their bifocal vision as insider-outsiders within the minority cultures they represent in folktales and within the 'foreign' cultures to which they traveled. Cabrera's and Hurston's roles as 'native ethnographers' will also be considered. In creating alternatives to traditional ethnographies, such as Franz Boas's Bella Bella Tales (1932), their collections can be understood as early examples of experimental and feminist ethnography." (author)
"Traces the history of Haitian classical or "learned" music from the eighteenth century to the middle of the twentieth century by examining the state's role as a patron to the arts, the development of the educational system, the call for a national Haitian music in the early twentieth century, and individual composer's biographies." (author)
"In this essay I discuss the thwarted cultural translation of modernity across the Atlantic and how this process affected the cultural self-understanding of the Caribbean. I will frame my argument by referring to the Hegelian theme of the Subject insofar as this particular concept condenses and articulates the ideology of modernity as a Eurocentric drive for world domination." (author)
"In London and in the North American cities where migrants from the Caribbean have instituted Carnival, the majority of people are ignorant about the nature of calypso: it is stereotyped in their minds as music for tourists. Accordingly, I would like to give a brief description of the true nature of calypso and of the steelband as an orchestra, so as to set the records straight and undo some the Eurocentric damage to Caribbean art forms." (author)
