African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
138 p, Description and analysis of the two most important religions of African descent in Cuban spiritual life: the first of Yoruban origin; the second of Congo-Bantu origin
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
228 p, Contents: Canonized hybridities, resistant hybridities: Chutney Soca, carnival, and the politics of nationalism / Shalini Puri -- Soca and social formations: avoiding the romance of culture in Trinidad / Stefano Harney -- Trinidad romance: the invention of Jamaican carnival / Belinda J. Edmondson -- All that is black melts into air: negritud and nation in Puerto Rico / Catherine Den Tandt -- Positive vibration? Capitalist textual hegemony and Bob Marley / Mike Alleyne --"Titid ad pèp la se marasa": Jean-Bertrand Aristide and the new national romance in Haiti / Kevin Meehan -- Shadowboxing in the Mangrove: the politics of identity in postcolonial Martinique / Richard Price and Sally Price -- Beautiful Indians, troublesome negroes, and nice white men: Caribbean romances and the invention of Trinidad / Faith Smith -- Homing instincts: immigrant nostalgia and gender politics in Brown girl, brownstones / Supriya Nair -- Derek Walcott: liminal spaces/substantive histories / Tejumola Olaniyan
"Any attempt to trace the many resonances that historically have been attached to the creole figure in Caribbean literature and culture will be inflected by the long and pervading presence of colonialism in the region and its attendant corollary of hierarchical social separation and difference based on perceptions of race. Indeed, the ambivalent desire and subjective misrecognition that lay at the heart of historical writing about colonialism and racism have tended to frame the issues of monstrosity and exclusion that produced the creole as part and parcel of wider colonial discourses. Thus, the shifting and increasingly unstable inscription of the creole figure echoes, in a certain sense, certain critical ambiguities of politics and temporality that color the colonial encounter and its aftermath. Specifically, in the contemporary English- and French-speaking Caribbean, the multiplicity, displacement, and creative instability that undergird creole-driven theories of postcolonial performance have supplanted this category's suspect beginnings as colonialism's model for the fearfully unnameable and unplaceable hybrid monstrosity, and now increasingly shape the substance of much of the artistic and creative work emerging from the region." --The Author
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
161 p, Contents: Introduction : Who were the masters in the Americas? / Alexandra Isfahani-Hammond -- The sugar daddy : Gilberto Freyre and the white man's love for Blacks / César Braga-Pinto -- Writing Brazilian culture / Alexandra Isfahani-Hammond -- Authority's shadowy double : Thomas Jefferson and the architecture of illegitimacy / Helena Holgersson-Shorter -- Race, nation, and the symbolics of servitude in Haitian noirisme / Valerie Kaussen -- Fanon as "metrocolonial" flaneur in the Caribbean post-plantation/Algerian colonial city / Nalini Natarajan -- From the tropics : cultural subjectivity and politics in Gilberto Freyre / Jossianna Arroyo -- Hybridity and mestizaje : sincretism or subversive complicity? Subalternity from the perspective of the coloniality of power / Ramón Grosfoguel -- The rhythm of Macumba : Lívio Abramo's engagement with Afro-Brazilian culture / Luiza Franco Moreira -- Blood, memory, and nation : massacre and mourning in Edwidge Danticat's The farming of bones / Shreerekha Subramanian.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: Baltimore : Johns Hopkins University Press, 1983., 375 p, Probes deeply into the multicultural origins of Caribbean society, defining and tracing the evolution of the distinctive ideology that has arisen from the region’s unique historical mixture of peoples and beliefs. Covers the sixteenth- and seventeenth-century beginnings of Caribbean thought, pro- and antislavery ideologies, the growth of Antillean nationalist and anticolonialist thought during the nineteenth century, and the development of the region’s characteristic secret religious cults from imported religions and European thought.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
251 p, Taylor uses the works of Frantz Fanon to examine the expressive culture of the Afro-Caribbean. Focuses on the narrative of the colonized people and makes a distinction between mythic narrative and the narrative of liberation. (JSTOR)
The month of March sees thousands of West Indians in the U.S. and abroad in colorful celebration of their Phagwa holiday- the origin of which is almost mythical and its exact time of origination is not known
Examines the genesis of the French Antillean concept of Creolite that emerged in the 1980s and shows "how, through zouk, the popular music that emerged from Guadeloupe and Martinique in the early 1980s, Creolite is being defined, (re)presented, and negotiated." (author)
"While plotting out the journeys that paved the way for their creative and innovative work in Afro-Cuban and African American ethnography, this study will address their bifocal vision as insider-outsiders within the minority cultures they represent in folktales and within the 'foreign' cultures to which they traveled. Cabrera's and Hurston's roles as 'native ethnographers' will also be considered. In creating alternatives to traditional ethnographies, such as Franz Boas's Bella Bella Tales (1932), their collections can be understood as early examples of experimental and feminist ethnography." (author)
"Traces the history of Haitian classical or "learned" music from the eighteenth century to the middle of the twentieth century by examining the state's role as a patron to the arts, the development of the educational system, the call for a national Haitian music in the early twentieth century, and individual composer's biographies." (author)
"In this essay I discuss the thwarted cultural translation of modernity across the Atlantic and how this process affected the cultural self-understanding of the Caribbean. I will frame my argument by referring to the Hegelian theme of the Subject insofar as this particular concept condenses and articulates the ideology of modernity as a Eurocentric drive for world domination." (author)
"In London and in the North American cities where migrants from the Caribbean have instituted Carnival, the majority of people are ignorant about the nature of calypso: it is stereotyped in their minds as music for tourists. Accordingly, I would like to give a brief description of the true nature of calypso and of the steelband as an orchestra, so as to set the records straight and undo some the Eurocentric damage to Caribbean art forms." (author)
This is a sociolinguistic study of San Basilio, located on Colombia's northern or Caribbean coast and the last surviving community where a Spanish-based Creole language still exists in the whole of the Americas
"The social ascendancy of the drum reflects equally the gradual upward mobility of Cuba's black people. It is impossible to day to imagine any kind of modern Cuban music that does not include the restrained, or wild, rolling of the drum, making the rhythm of romantic songs or revealing the exuberance of the son, rumba, and other dance rhythms. I shall attempt here to briefly sketch of the Afro-Cuban drum from colonial times to present...." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
399 p, Focusing on developments in Afro-Cuban religious culture, demonstrates that traditional Caribbean cultural practices are part and parcel of the same history that produced modernity and that both represent complexly interrelated hybrid formations. Palmié argues that the standard narrative trajectory from tradition to modernity, and from passion to reason, is a violation of the synergistic processes through which historically specific, moral communities develop the cultural forms that integrate them.
"The Spanish expression--la cultura cura (culture heals)--is an affirmation of the potential healing power of a variety of cultural practices that together constitute the ethos of a people"
Review also covers Whither Thou Goest -- Creoles of Color in the Bayou Country by Carl A. Brasseaux and others; and 'Who Set You Flowin'?' by Farah Jasmine Griffin
This work describes cleavages of race, class and caste in the colonial Jamaican company. It tackles the question of the relation between race and culture.
Part of the vision depicted in the novels Middle Passage and Mimic Men is that the image local history is the scenery and landscape. Expresses idea that colonization creates nothing. It is obvious in a place, thrives there then disappears.
The "novel, as a more conscious artifact, is shaped in a more deliberate manner than poetry and revolutionary struggle in the novel is utilized with a well-defined intention. We will demonstrate these contentions by analysing the following novels: Bertene Juminer's Bozambo's Revenge, V. S. Naipaul's Guerrillas, and Alejo Carpentier's Explosion in a Cathedral." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
238 p, A reaffirmation of the validity of that persistent quest by the Jamaican and Caribbean people for place and purpose in a globalised world of continuous change. In post-colonial societies like Jamaica, the issue of cultural identity is as important as political independence and economic self-sufficiency. Rex Nettleford goes further by declaring that cultural identity is as fundamental a reality as food, shelter, clothing and job opportunities and is not a mere abstract preoccupation. For this reason, cultural ‘action’ is central to effective social change. Caribbean Cultural Identity analyses and illustrates the dynamics of cultural evolution in the Caribbean. Nettleford focuses on the problems of identity, particularly as it relates to cultural pluralism and Eurocentricity and describes in detail the role that the performing arts have played in shaping the general development of Jamaica as well as the Caribbean in general.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 vol, "[A]ddress poetry in general, relating the poetry he writes to the poetry he sees around him. It is in many ways a fierce defense of the beauty and timelessness of both poetry, and the Caribbean." (Amazon.com)
Foote,Nicola (Author) and ÉDiteur Scientifique (Author)
Format:
Book, Whole
Publication Date:
2013
Published:
New York, NY: Routledge
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
433 p, Provides a thorough and up-to-date overview of Caribbean history from the pre-Columbian era to the present. It brings together a range of classic and innovative articles and primary sources, to create an introduction to Caribbean political, economic, social and cultural currents, providing an important first reference point to scholars and students alike.
