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    2. Anansi's defiant webs : contact, continuity, convergence, and complexity in the languages, literatures, and cultures of the Greater Caribbean : proceedings of the ECICC-conference, Guyana, 2010

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Faraclas,Nicholas (Editor)
    Format:
    Book, Edited
    Publication Date:
    2011
    Published:
    Curaçao: Fundashon pa Planifikashon di Idioma : University of the Netherlands Antilles
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Notes:
    Incorporates invited papers as well as presentations made to the 13th annual Eastern Caribbean Islands Culture Conference (aka the 'Islands in Between' Conference) which was held at the Turkeyen Campus of the University of Guyana from 4 to 6 November 2011., 355 p., A collection of articles that presents a critical perspective on the languages, literatures, and cultures of the Greater Caribbean and the Caribbean diaspora.

    5. Creole folktales

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Chamoiseau,Patrick (Author) and Linda Coverdale (Translator)
    Format:
    Book, Whole
    Publication Date:
    1994
    Published:
    New York: New Press
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Notes:
    113 p

    6. Creolite and the New Cultural Politics of Difference in Popular Music of the French West Indies

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    Collection:
    Black Caribbean Literature (BCL)
    Contributers:
    Guibault,Jocelyne (Author)
    Format:
    Journal Article
    Publication Date:
    Fall, 1994
    Published:
    Nashville, TN: Fisk University
    Location:
    African American Research Center, Library, University of Illinois at Urbana-Champaign
    Journal Title:
    Black Music Research Journal
    Journal Title Details:
    14(2) : 161-178
    Notes:
    Examines the genesis of the French Antillean concept of Creolite that emerged in the 1980s and shows "how, through zouk, the popular music that emerged from Guadeloupe and Martinique in the early 1980s, Creolite is being defined, (re)presented, and negotiated." (author)