Gaspar,David Barry (Author) and Hine,Darlene Clark (Author)
Format:
Book, Whole
Publication Date:
1996
Published:
Bloomington: Indiana University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
341 p, Includes Mary Karasch's "Slave women on the Brazilian frontier in the nineteenth century," Hilary Beckles' "Black female slaves and white households in Barbados," Robert W. Slenes' "Black homes, white homilies: perceptions of the slave family and of slave women in nineteenth-century Brazil," Barbara Bush's "Hard labor : women, childbirth, and resistance in British Caribbean slave societies," David Barry Gaspar's "From 'the sense of their slavery' : slave women and resistance in Antigua, 1632-1763," Bernard Moitt's "Slave women and resistance in the French Caribbean,"David P. Geggus' "Slave and free colored women in Saint Domingue," and Susan M. Socolow's "Economic roles of the free women of color of Cap Francais."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally presented as the author's thesis (master's)--Programa de Pós-Graduação em História da Faculdade de Ciências e Letras da Universidade Estadual Paulista, 1998., 204 p.
This essay examines the classic short documentary that introduced the quilombo to Brazilian Cinema. Aruanda (Linduarte Noronha, 1960) is about a rural community of descendants of escaped slaves. The film represents an anti-culturalist approach to the quilombo that was soon superseded by the culturalist appropriation of the quilombo by the Brazilian black movement, by filmmakers like Carlos Diegues, and later, by the Brazilian state. Aruanda locates the utopian element of the quilombo, not in a peculiarly African or Afro-Brazilian culture, but in the unalienated life-activity of its members.
