480 p., This dissertation examines the role of the Haitian Revolution and Haiti's national history in the construction of Black Internationalism and Black Atlantic intellectual culture in the first half of the twentieth century. The author argues for the centrality of Haiti in the genesis of Black internationalism, contending that revolutionary Haiti played a major place in Black Atlantic thought and culture in the time covered. Suggests viewing the dynamics between the Harlem Renaissance, Haitian Indigenism, and Negrtude and key writers and intellectuals in terms of interpenetration, interindepedence, and mutual reciprocity and collaboration.
195 p., Paule Marshall's The Chosen Place, The Timeless People (1969), Gayl Jones' Corregidora (1975), and Octavia Butler's Kindred (1979) enhance our conceptualization of black aestheticism and black nationalism as cultural and political movements. The writers use the novel as genre to question the ideological paradigm of a black nationalist aesthetic by providing alternative definitions of community, black women's sexuality, and race relations. Because of the ways in which these writers respond to black aestheticism and black nationalism, they transform our understanding of movements often perceived as sexist, racist, homophobic, and anti-Semitic.
85 p., This thesis examines the practice of Obeah--an Afro-Caribbean system of healing, harming, and divination through the use of spiritual powers--within two slave communities in Berbice and Demerara (British Guiana). This study is based primarily on legal documents--including testimony from more than a dozen slaves--generated during the criminal trials of two men accused of practicing Obeah in 1819 and 1821-22. In contrast to most previous studies of Obeah, which have been based largely on descriptions provided by British observers, this project takes advantage of this complex, overlapping body of evidence to explore the social dynamics of Obeah as experienced by enslaved men and women themselves, including Obeah practitioners, their clients, and other witnesses. This study reveals that Obeah rituals could be extremely violent, that Obeah practitioners were feared as well as respected among their contemporaries, that the authority of Obeah practitioners was based on demonstrable success, and that slave communities in general were complex social worlds characterized by conflict and division as well as by support and unity--conclusions that combine to produce a fresh, humane vision of Afro-diasporan culture and community under slavery.
Reports on the researchers' findings 20 years after Lord Gifford's inquiry into race relations in the city after the 1980s Toxteth riots. Gifford reported on the prevalence of racial attitudes, racial abuse, and racial violence directed against the Black citizens of Liverpool. The authors' research focused on education and specifically the low percentage of Black teachers compared to the whole teaching workforce and the percentage Black population in the city.
In her book Louisiana, Erma Brodber reflects on the alliances that should exist between the African American and Afro Caribbean peoples, symbolically repairing the fissures that exist between the two, while addressing an uncommon subject in Caribbean migrant literature. Brodber's literary themes toward the unification of the relationships shared amongst the black diaspora articulate the legal tensions and national differences that can impede these alliances. Although Brodber's novel approaches this by creating a reconnection of the African diaspora in a borderless and nationless transmigration, and sometimes through a spaceless spirit world, Page argues that in reality this reunification is affected by the rules of the state that simply cannot be ignored.;
Reads Carnival-related performances in relationship to the colonial and national histories of the circulation of Indian and black women's bodies in Trinidad and Tobago, asking what is at stake in these occupations of genre, form, and performative presence in the latest global scenes of late capitalism (where image and sound, as cultural productions, are always in circulation beyond the scope of the nation, and their own "original" referents).
"The voice of Miss Lou, the honourable [Louise Bennett-Coverley], helped to shape the psyche of the resilient people in Jamaica. People are conscious of the diverse roots of our heritage, but mindful that the African presence was as valued as any other. And people must come to realise that the linguistic roots of that melding of cultures in Jamaica, our patwa, however we write it or spell it, is a worthy and necessary instrument of self expression". "She [Miss Lou] made me understand what it really means to be a Jamaican and how to appreciate and embrace all the various facets of our culture and heritage... No longer is it shameful to express the way we feel in the true Jamaican way... There that you cannot translate into english to give the same impact. Miss Lou made it OK not to nice it up".
