152 p., Sheds light on the importance of orality as it is embedded in the cultural traditions of the Colombian Caribbean. Examines the different ways in which orality is manifested and produced in Colombian popular culture and literature. Also explores the dynamics of "primary orality," in which orality compensates for the absence of knowledge or usage of a written alphabet, and "secondary orality," in which orality is sustained by a technological device, in this case the cassette.
As a little girl, [Annee] had become the favorite of a high voodoo priestess, who held considerable influence in King [Henry Christophe]'s court. Widowed and childless, she turned her attentions to Annee with trinkets and valuable gifts. Annee's parents encouraged the woman's interest because they felt her influence with the Kin could benefit them. It was this woman who taught Annee to believe in spirits, to regard the air as charged with the supernatural, over which she could gain control. She attended forbidden voodoo orgies, summoned by eerie drum beats in the dead of night. She saw the fear the people had of the high priestess and was carefully schooled by the latter in the ways of creating this fear...black magic and death. The priestess convinced Annee that she had the powers of a God. But the priestess died and Annee's parents also died leaving Annee very much alone in Haiti.
295 p., Focuses on the function of black vernacular myths and rituals in three primary women's texts of the Americas: Toni Morrison's Song of Solomon (1977), Simone Schwartz-Bart's Pluie et Vent sur Telumee Miracle (1972) and Paule Marshall's Praisesong for the Widow (1983). My project codifies how the black vernacular expressions of mythology and ritual are used to negotiate power between the individual and their community. The author traces how the women in these texts used resources of the black vernacular tradition as social and cultural collateral to empower themselves within an alternative system of values that simultaneously validates self and communal worth.
