The intensification of ethno-racial protest in Latin America has led to the adoption of targeted legislation for Black and indigenous populations, signaling a new moment in race politics in this region. Existing literature has failed to account for this shift either because it held that race was not salient in Latin America, or it presumed that racial hierarchy existed, but that the obstacles to Black mobilization were insurmountable. Argues that the literature must contend with this new reality of “Black politics” in Latin America.
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. Explores how racial polemics are explicitly entangled with the politics of Revolution in Cuba. Adapted from the source document.
282 p., Challenges how critical scholarship on race and racism in Latin America has traditionally understood racial subalterns in Cuba and Puerto Rico as people who are prevented from acting as black political subjects because of the hegemonic power of discourses of nationhood premised on ideas of mestizaje and racial fraternity. By providing an intellectual history of several important yet largely ignored Cuban and Puerto Rican activists intellectuals of color who lived and worked between the Caribbean and the U.S. at the turn of the 20th century, the author shows that instead of being tricked by creole elite national narratives, they attempted to redefine ideas of nationhood to challenge racism, colonialism, and imperialism at local, national, and transnational levels.
237 p., Free people of color held an ambiguous place in Caribbean slave societies. On the one hand they were nominally free, but the reality of their daily lives was often something less than free. This work examines how free people of color, or libres de color , in nineteenth-century Cuba attempted to carve out lives for themselves in the face of social, economic, and political constraints imposed on them by white Cubans and Spaniards living in the island. It focuses on how through different Afro-Cuban associations some libres de color used public music and dance performances to self-fashion identities on their own terms.
