Examines Zora Neale Hurston's work, particularly her collection of folklore and ethnography of the American South, "Mules and Men." Looks at the author's role, the ways the ethnographer inscribes herself into the text, and speculates about Hurston's understanding of the limits of the impersonal researcher.
"While plotting out the journeys that paved the way for their creative and innovative work in Afro-Cuban and African American ethnography, this study will address their bifocal vision as insider-outsiders within the minority cultures they represent in folktales and within the 'foreign' cultures to which they traveled. Cabrera's and Hurston's roles as 'native ethnographers' will also be considered. In creating alternatives to traditional ethnographies, such as Franz Boas's Bella Bella Tales (1932), their collections can be understood as early examples of experimental and feminist ethnography." (author)
"The 'spy-glass of Anthropology,' Zora Neale Hurston's telling metaphor for anthropological training under Franz Boaz during her Barnard years, is the most quoted and least interpreted image in a body of work remarkable for its rich configuration." --The Author
Rodríguez,Jaime Arocha (Editor) and Quintero Barrera,Rosa Patricia (Editor)
Format:
Book, Whole
Language:
Spanish
Publication Date:
2009
Published:
Bogotá: Universidad Nacional de Colombia, Facultad de Ciencias Humanas, Centro de Estudios Sociales, Grupo de Estudios Afrocolombianos
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Papers from a seminar held Oct. 28-29, 2004, at the Biblioteca Luis Ángel Arango, Bogotá, Colombia., 293 p., A collection of personal tributes to the life and work of Nina S. de Friedemann, as well as writings related to her research on the black population in Colombia.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
240 p, It's the introduction that never became Afrocubana Culture, the work in four volumes that its author, Jorge Castellanos, wrote in collaboration with her daughter Isabel and Universal editions that given the stamp from 1988 to 1994.
