Ethnic and national identities of 11-16-year-old British Africans and Caribbeans were examined. Adolescents ranked ethnicity as more important than age, gender or nationality, stereotyped Caribbeans/Africans more positively than British and derived more pride from ethnicity than nationality. England was the least popular answer to 'where are you from', but more Caribbeans versus Africans chose this category and older Caribbeans described themselves as more 'British' than older Africans.
Focuses on the retrospective accounts of Caribbean-born adults who as children were serial migrants, joining their parents in the UK following a period of separation. Considers aspects of their relationships with their siblings and with their mothers and fathers.
Focuses on black women's experiences of the annual African-Caribbean carnival in St. Paul's, Bristol, as a potential site of resistance. Looks at how black women challenge conceptions of space on three levels: nationally, locally and within the street. These three spatial levels are permeated by notions of resistance: resistance to dominant notions of Englishness, to representations of place, and to gender roles. Focuses on carnival's potential to contest hegemonic discourses, to denaturalise them and to expose them as partial.
Existing knowledge of supplementary education, that is education organized and run by political, faith or ethnic groups outside of formal schooling, is patchy. This article is an exploration of the histories of supplementary education in the 20th century. Presents some new historical evidence concerning African Caribbean and Irish supplementary education.
330 p., This dissertation examines the major works of Trinidad-born playwright Mustapha Matura, dealing with plays written from 1970 to the present. By considering the relation of Matura's work to Britain and Trinidad, it explores the complexity of identity performance in postcolonial theatre and the ongoing need for agency among diasporic communities. Postcolonial scholarship fully recognizes the significance of writing in the development of postcolonial identities, yet dominant postcolonial theory largely excludes theatre from discussions of that development. Given its aural and visual presentation and its immediate interaction with an audience, theatre provides a unique postcolonial moment through which audience members can survey issues of race and place in their lives.
An analysis of the experience of African Caribbeans in the postwar period in Great Britain. Explores both the relationship between migration and racism and the formation of ethnic identity of these migrants. Also confronts the political implications of the new identities being forged by Black people in the country.
Examines trends in entrepreneurship among minority ethnic groups in Britain. It begins with an analysis of how self-employment rates for different ethnic groups have evolved since the early 1990s. We find that rates of self-employment have fallen for Indians and the Chinese and argue that this is due to increased opportunities in paid employment, partly brought about by demographic change. However, entrepreneurs from these groups still work the longest hours. In contrast, self-employment rates have risen for Black Caribbean males in recent years and remain high for Pakistani males.
