[Carolyn Cooper] said there is a dissonance between "the brand" and the "representation of the brand" and that "until in Jamaica we come to acknowledge Jamaica is not an "out of many, one people" country but it is really a country of black people with small numbers of ethnic minorities, we're not going to get the brand right." 'At Independence, Emancipation Day just disappeared. Because if you have Emancipation Day, then you have to ask yourself what you were emancipated from. And then certain people would have to say, well, we were mixed up in it. Slavery, that is. So Emancipation Day was just erased,"she said. "But Garveyites and Rastafari kept the tradition of celebrating Emancipation Day. And it's now back on the national calendar. We even have an Emancipation Park!" "This book is a celebration of Brand Jamaica, the authentic Brand Jamaica and I hope that as you read it, you'll understand why I'm so passionate about the subject," said Cooper as she ended her remarks.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
237 p., A close reading of three works by female authors. Presents a trajectory, covering different epochs from post emancipation, independence, and the contemporary, of their portrayal of subalterns, the specific strategies they use to reveal their protagonists' resistance, growth and self-affirmation.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
358 p, Chancy aims to show that Haiti’s exclusion is grounded in its historical role as a site of ontological defiance. Her premise is that writers Edwidge Danticat, Julia Alvarez, Zoé Valdés, Loida Maritza Pérez, Marilyn Bobes, Achy Obejas, Nancy Morejón, and visual artist Maria Magdalena Campos-Pons attempt to defy fears of “otherness” by assuming the role of “archaeologists of amnesia.” They seek to elucidate women’s variegated lives within the confining walls of their national identifications—identifications wholly defined as male. They reach beyond the confining limits of national borders to discuss gender, race, sexuality, and class in ways that render possible the linking of all three nations.
Esteves,Carmen C. (Author) and Paravisini-Gebert,Lizabeth (Author)
Format:
Book, Whole
Publication Date:
1991
Published:
New Brunswick, NJ: Rutgers University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
273 p, Contents: Tétiyette and the devil / Anonymous (Guadeloupe) -- Little Cog-burt / Phyllis Shand Allfrey (Dominica) -- Cotton Candy / Dora Alonso (Cuba) -- See me in me Benz and t'ing : like the lady who lived on that isle remote / Hazel D. Campbell (Jamaica) -- They called her Aurora (a passion for Donna Summer) / Aida Cartagena Portalatín (Dominican Republic) -- Columba / Michelle Cliff (Jamaica) -- A pottage of lentils / Marie-Thérèse Colimon-Hall (Haiti) -- Three women in Manhattan / Maryse Condé (Guadeloupe) -- Hair / Hilma Contreras (Dominican Republic) -- Piano-bar / Liliane Dévieux (Haiti) -- Barred : Trinidad 1987 / Ramabai Espinet (Trinidad) -- The poisoned story / Rosario Ferré (Puerto Rico) -- Cocuyo Flower / Magali García Ramis (Puerto Rico) -- How to gather the shadows of the flowers / Ángela Hernández (Dominican Republic) -- Opéra Station. Six in the evening. For months-- / Jeanne Hyvrard (Martinique/France) -- Girl / Jamaica Kincaid (Antigua) -- No dust is allowed in this house / Olga Nolla (Puerto Rico) -- Widow's walk / Opal Palmer Adisa (Jamaica) -- Parable II / Velma Pollard (Jamaica) -- Red flower / Paulette Poujol-Oriol (Haiti) -- The day they burned the books / Jean Rhys (Dominica) -- Lola or the song of spring / Astrid Roemer (Surinam) -- Brights Thursdays / Olive Senior (Jamaica) -- ADJ, Inc. / Ana Lydia Vega (Puerto Rico) -- Of nuns and punishments / Bea Vianen (Surinam) -- Passport to paradise / Myriam Warner-Vieyra (Guadeloupe) -- Of natural causes / Mirta Yáñez (Cuba)
