African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Based on a conference which took place in Sandton, Johannesburg from 14-15 July 2008., 346 p., This conference is the first of three conferences on the African diaspora with respect to the returnee phenomenon of 'Back to Africa'. Contents: volume 1. Afro-Brazilian returnees and their communities -- volume 2. The ideology and practice of the African returnee phenomenon from the Caribbean and North-America to Africa.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
359 p., Rather than hewing to labor uprisings in the 1930s as the generative moment for West Indian nationhood, the author begins with political and social conflicts from the late nineteenth century to argue that efforts to create a federation in the British Caribbean were much more than merely an imperial or regional nation-building project. This manuscript highlights the significant connections between Caribbean federation and other anticolonial struggles of the black diaspora.
Adekunle,Julius (Editor) and Williams,Hettie V. (Editor)
Format:
Book, Edited
Publication Date:
2013
Published:
Durham, NC: Carolina Academic Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
334 p., A volume of 16 essays analyzing the issues of blackness and identity of the African Diaspora in global perspective. Focuses on the United States, the Caribbean, and Latin America.
164 p., Explores four contemporary novels and a film that rely heavily on photographic and mass-media images to illuminate, articulate, and critique modern-day Black urban existence: Patrick Chamoiseau's Texaco (1997), Chris Abani's Graceland (2004), John Edgar Wideman's Fanon , Paulo Lins' Cidade de Deus (1997), and Fernando Meirelles' 2002 film adaptation of Lins' novel City of God . Chapters examine the ways in which photographic and/or mass-media images are used as narrative tropes or devices for representing the material conditions of an emerging slum existence. The author argues that each text reveals a preoccupation with the rise of global urbanism and visual culture as new types of discursive spaces--new kinds of "texts"-- that shape not only the real life of black people, but also the literary landscape of Black writing across the globe.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
423 p., Focuses on the migrations and metamorphoses of black bodies, practices, and discourses around the Atlantic, particularly with regard to current issues such as questions of identity, political and human rights, cosmopolitics, and mnemo-history. Includes Judith M. Williams' "Néritude as performance practice: Rio de Janeiro's Black experimental theatre," Richard Follett's "The spirit of Brazil: football and the politics of Afro-Brazilian cultural identity," Dorothea Fischer-Hornung's "Transbodied/transcultured : moving spirits in Katherine Dunham's and Maya Deren's Caribbean," Elvira Pulitano's "Re-mapping Caribbean land(sea)scapes: aquatic metaphors and transatlantic homes in Caryl Phillips's The Atlantic sound," and Antoinette Tidjani Alou's "Marine origins and anti-marine tropism in the French Caribbean: André and Simone Schwarz-Bart."
152 p., Sheds light on the importance of orality as it is embedded in the cultural traditions of the Colombian Caribbean. Examines the different ways in which orality is manifested and produced in Colombian popular culture and literature. Also explores the dynamics of "primary orality," in which orality compensates for the absence of knowledge or usage of a written alphabet, and "secondary orality," in which orality is sustained by a technological device, in this case the cassette.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
274 p., Explores a broad range of power relationships and struggles for authority in the early 19th century British Atlantic, focusing on the Caribbean colony of Berbice. I aim to understand how enslaved people and their enslavers negotiated their relationships and forged their lives within multiple, interconnected networks of power in a notoriously brutal society. Focuses on politics and culture writ large and small, zooming in to see the internal conflicts, practices, and hierarchies that governed individual plantations, communities, and families; and zooming out to explore the various ways that imperial officials, colonial administrators, and metropolitan antislavery activists tried to shape Caribbean area slavery during the era of amelioration-a crucial period of transformation in the Atlantic world. Sources used include travel narratives, trial records, missionary correspondence, and official government documents. Most important are the records of the Berbice fiscals and protectors of slaves, officials charged with hearing enslaved peoples' grievances and enforcing colonial laws.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
249 p., Investigates the role of music in 20th century literature of the Americas. It expands the concept of the New Negro Renaissance in terms of time, place, and language. Previous studies have diminished the geographical and temporal extent of this defining moment, locating it in Harlem, starting in 1919 with the end of WWI and the Great Migration, and ending with the 1930 Great Depression. This project departs from this traditional account, demonstrating that what is usually perceived as a North American phenomenon was, in fact, international from its inception. Paying particular attention to the United States and the Caribbean, it examines "The New Negro Flow," which represents the discussion occurring during the first half of the 20th century between places in the Americas where there had been a large transplanted Black population.
