Explores the idea of diaspora and musical exchanges in relation to changes in Colombian popular music, specifically that from the Caribbean coastal region of the country, often identified as more or less African-influenced. It traces changes that occurred from the 1920s onward, with the commercialization of cumbia and porro and related styles, and looks also at more recent developments around vallenato, champeta, and rap.
This is a sociolinguistic study of San Basilio, located on Colombia's northern or Caribbean coast and the last surviving community where a Spanish-based Creole language still exists in the whole of the Americas
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
xxvi, 264 : ill., map ; 24 cm, Festive rituals, religious associations, and ethnic reaffirmation of Black Andalusians / Isidoro Moreno -- Presence of Blackness and representation of Jewishness in the Afro-Esmeraldian celebrations of the Semana Santa (Eduador).
152 p., Sheds light on the importance of orality as it is embedded in the cultural traditions of the Colombian Caribbean. Examines the different ways in which orality is manifested and produced in Colombian popular culture and literature. Also explores the dynamics of "primary orality," in which orality compensates for the absence of knowledge or usage of a written alphabet, and "secondary orality," in which orality is sustained by a technological device, in this case the cassette.