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2. 'It will be social': Black women writers and the postwar era 1945--1960
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Caldwell,Katrina Myers (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2009
- Published:
- Illinois: University of Illinois at Chicago
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 268 p., This study used a Black feminist critical framework to examine the conditions that influence the production of black women's fiction during the postwar era (1945-60). The novels of Ann Petry, Dorothy West and Paule Marshall were studied as artifacts that were shaped by the cultural and political climate of this crucial period in American history. A survey was also conducted of their associations with members and organizations in the American Left to determine what impact their social activism had on their lives and art. It was determined that these writers' political engagement played a significant role in the creation of transformative narratives about the power of black women to resist oppression in all of its forms. As a consequence of their contribution to a rich black feminist literary tradition, these postwar black women fiction writers serve as important foremothers to later generations of black women artists.
3. A human necklace : The African diaspora and Paule Marshall's fiction
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Ferguson,Moira (Author)
- Format:
- Book, Whole
- Publication Date:
- 2013
- Published:
- Albany, NY: SUNY Press
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 173 p, Argues that Paule Marshall's work collectively constitutes a multigenerational saga of the African diaspora across centuries and continents.
4. An invincible summer: female diasporan authors
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Jackson,Tommie (Author)
- Format:
- Book, Whole
- Publication Date:
- 2001
- Published:
- Trenton, NJ: Africa World Press
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 218 p, Contents: Origins of the divestiture trope in selected literature of the African diaspora -- Diaspora as a trope for the existential condition -- Resonances of the African continent in selected fiction and non-fiction by Zora Neale Hurston -- Orphanage in Simone Schwarz-Bart's The bridge of beyond and Alice Walker's The third life of Grange Copeland -- Polyphonic texture of the trope "junkheaped" in Toni Morrison's Beloved -- Sociological implications of female abandonment in Buchi Emecheta's Second class citizen and The joys of motherhood -- Success phobia of Deighton Boyce in Paul Marshall's Brown girl, Brownstones -- Madness as a response to the female situation of disinheritance in Mariama Bâ's So long a letter and Scarlet song -- Exile of the elderly in Beryl Gilroy's Frangipani house and Boy-Sandwich -- Conclusion: abandonment as a trope for the human condition;
5. Arms akimbo: Africana women in contemporary literature
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Liddell,Janice (Editor) and Kemp, Yakini Belinda
- Format:
- Book, Edited
- Publication Date:
- 1999
- Published:
- Gainesville: University Press of Florida
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 268 p., In an examination of the fiction of contemporary women writers of the African Diaspora, these writers engage important texts from writers in Africa, the Caribbean, and the United States, largely ignored by mainstream literary scholars. They employ fresh and poignant critical perspectives accessible to both scholars and students. Includes Carolyn Cooper's "Sense make befoh book": Grenadian popular culture and the rhetoric of revolution in Merle Collins's Angel and the Colour of forgetting," Paula C. Barnes "Meditations on her/story: Maryse Conde's I, Tituba, Black Witch of Salem and the slave narrative tradition," and Erna Brodber's "Guyana's historical sociology and the novels of Beryl Gilroy and Grace Nichols."
6. Author Rosa Guy Is Poised and Ready for Success
- Collection:
- Black Caribbean Literature (BCL)
- Format:
- Newspaper Article
- Publication Date:
- 1995-09-13
- Published:
- New York, NY
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- New York Beacon
- Journal Title Details:
- 83 : 25
- Notes:
- [Rosa Guy]'s personal life odyssey has been a major influence on the scope and tone of her writing. Upon arriving in the United States with her parents in the early 1930's and moving to Harlem at the age of eight, Rosa became a prolific observer of African-American culture and the forces that shape its existence in American society. Guy's novels have explored the stifling consequences of poverty in settings as far away as the Caribbean, or as near as New York's Harlem. Once it is published, her newest novel from Dutton Press, The Sun, The Sea, A Touch of the Wind will join an impressive body of literary material authored by Ms. Guy that include: Bird At My Window; A Measure of Time; And Then She Heard A Bird Sing; Edith Jackson; Ruby; Children of the Longing; and Music of Summer.
7. Black women writers: Revolutionaries of the word
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- McClean,Marva (Author)
- Format:
- Newspaper Article
- Publication Date:
- 1999-02-28
- Published:
- Miami, FL
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Caribbean Today
- Journal Title Details:
- 3 : 14
- Notes:
- Works like Wheatley's and [Harriet Jacobs]' remind us how important it is to document our history with authenticity. History tells us of the need to write our own stories in our own words, for accuracy, for validation. And this is exactly why writers like Maya Angelou, Gwendolyn Brooks, Poet Laureate Rita Dove, Alice Walker and Louise Bennett Coverly (Jamaica) have revolutionized the written word and established themselves as role models for all of us. Positive images. Pulitzer Prize winner Alice Walker uses the word "womanist" in her works to refer to the liberation of black women. Through her famous novel "The Color Purple" and other works, she has revolutionized literature in the New World and given great insights into the traditions, beliefs, history, and values of people of African ancestry. The central theme in all of her work becomes the flower of hope that grows out of all despair. Black women writers have created for us a window to the world through which we can make real-life connections. From them we have received portraits in courage and a validation of ourselves. Their words constantly remind us that hope is eternal and that beauty can rise from adversity, as is so aptly expressed in the poignant declaration by Maya Angelou, the first female to read at a U.S. presidential inauguration, "And still I rise."
8. Fantasies of maternal unity in twentieth- and twenty-first-century African diasporic women's fiction and science fiction
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Lillvis, Kristen (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- Kansas: University of Kansas
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 241 p., Explores the power children realize in the past, present, and future from their real or imagined connections to their absent mothers in twentieth- and twenty-first-century African diasporic women's fiction, science fiction, and film. Much of the existing scholarship on the diasporic mother focuses on her place in history, yet texts by Toni Morrison, Gloria Naylor, Gayl Jones, Octavia E. Butler, Nalo Hopkinson, Sheree Renée Thomas, Nisi Shawl, and Julie Dash suggest through their depictions of the lasting links children create with their mothers that the power of the diasporic mother and, by proxy, the black family and community extends into the future.
9. Identity in motion: The symbiotic connection between migration and identity in four 20th century novels by African diasporic women writers
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sampson-Choma,Tosha Kabara (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2011
- Published:
- Lincoln, Nebraska: The University of Nebraska - Lincoln
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- This dissertation examines the migratory experiences of the protagonists from four African diasporic novels: Fruit of the Lemon by Andrea Levy (1999), Kehinde by Buchi Emecheta (1994), Breath, Eyes, Memory by Edwidge Danticat (1994), and The Color Purple by Alice Walker (1982). When analyzed comparatively these texts demonstrate that a completely integrated identity (that merges two cultures) is contingent upon a return to the protagonist's cultural roots either by the protagonist herself or someone who is closely aligned with her. The protagonist or her representative must travel to her ancestral homeland and in the process develop a value system that reflects the duality of her identity.
10. Interstitial voices: The poetics of difference in Afrodiasporic women's literature
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sullivan,Mecca J. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2012
- Published:
- Pennsylvania: University of Pennsylvania
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 320 p., Examines the place of difference in black women's writing of the African diaspora. The works of well-known and canonical writers Toni Morrison, Buchi Emecheta, Jamaica Kincaid, and Audre Lorde illustrate key functions of the poetics of difference. The author reads these writers alongside important but underexplored figures, including Ghanaian-born poet Ama Ata Aidoo, Cuban-born novelist Achy Obejas, Trinidadian-born writer Dionne Brand, and South African/Botswanan writer Bessie Head, as well as younger writers such as U.S.-born playwright Suzan-Lori Parks, Nigerian-born fiction writer Chimamanda Ngozi Adichie, and St. Thomas-born writer Tiphanie Yanique. These writers reframe identity around radical models of difference by: (1) developing and naming hybrid genres; and (2) destabilizing formal conventions of recognizable genres through multiplicities of voice. By highlighting difference as a core component of black female identity, these writers make crucial interventions in several areas, including Afrodiasporic cultural, feminist, queer, and postcolonial theories of identity, as well as feminist, Afrodiasporic cultural, formalist, and narratological conceptions of voice.