The dramatic vision and delicate balance of composition found in Adona's photographic works were developed while working with painter Rozzell Sykes. Her vision was literally changed. The awareness of light, shadows, colors, textures, tones and balance had changed. Soon she began creating with paint, stark images with the feel of Japanese simplicity. [Alisa Adona]'s paintings showed a freshly textured view and an exciting new eye in the Los Angeles art world. Over time, she was compelled to capture what she saw through the lens of a camera, ultimately making photography her new love.
[Assata Shakur]'s comments highlight the long and continuing relationship between African Americans and Cuba. Black abolitionists such as Frederick Douglass and Henry Highland Garnet had actively supported Cuba's struggle for independence from Spain over a century ago. After the revolutionaries seized power in 1959, [Fidel Castro] made a powerful impression among African Americans by staying in Harlem during his first visit to the United Nations. Castro's famous September, 1960 meeting with Malcolm X, to the great consternation of the U.S. government, reinforced the solidarity felt by progressive black Americans toward the revolutionary government.
"Cuba has represented metaphorically the ability of an oppressed people to challenge imperialism and colonialism," Marable explained. "In the political imagination of Black America, Cuba represents the radical possibility of fundamental social change. One of the key questions now is -- what does Cuba represent for Black America in this period of political transition?"
"They were walking toward me on the street, then they pulled up their locks, shook them back in, and smiled," she recalled, with a laugh. "I shook my locks at them, too. They would go, 'Yo!' And I'd say, 'Yo!' It was fun to get that type of acknowledgement. It showed how we are connected as Africans. There's nothing that can make that go away." [Russo], she added, also discussed now Cubans might benefit from a more open relationship with the U.S.A., even though it may change Cuba's moral character. While [Linda Jennings] hopes better communication is achieved through the blockade's elimination, she is worried that America's dominant influence would alter Cuba's innocence. It seems like today, in our communities, the lack of material items makes Black people feel inferior. Cubans don't, seem to have that problem, Jennings said. Black people have propelled themselves to a more material, individualistic society, which has made too many of them forget who they truly are to themselves. Having seen Cuba's society in person I don't understand why a Cuban would want to defect here."
Ms. [Adona] is a photographer utilizing the visual medium to tell stories of cultures from around the world, with the hope of creating a better understanding of diverse people through the visual arts. Last summer Ms. Adona introduced "CUBA, Reflections of Life" during a speech at the United Nations in Geneve, Switzerland, where she spoke on the necessity utilizing a single, powerful image to tell the story of a nation.
