320 p., Examines the place of difference in black women's writing of the African diaspora. The works of well-known and canonical writers Toni Morrison, Buchi Emecheta, Jamaica Kincaid, and Audre Lorde illustrate key functions of the poetics of difference. The author reads these writers alongside important but underexplored figures, including Ghanaian-born poet Ama Ata Aidoo, Cuban-born novelist Achy Obejas, Trinidadian-born writer Dionne Brand, and South African/Botswanan writer Bessie Head, as well as younger writers such as U.S.-born playwright Suzan-Lori Parks, Nigerian-born fiction writer Chimamanda Ngozi Adichie, and St. Thomas-born writer Tiphanie Yanique. These writers reframe identity around radical models of difference by: (1) developing and naming hybrid genres; and (2) destabilizing formal conventions of recognizable genres through multiplicities of voice. By highlighting difference as a core component of black female identity, these writers make crucial interventions in several areas, including Afrodiasporic cultural, feminist, queer, and postcolonial theories of identity, as well as feminist, Afrodiasporic cultural, formalist, and narratological conceptions of voice.
Falola,Toyin (Editor), Afolabi,Niyi (Editor), and Adesanya,Aderonke A. (Editor)
Format:
Book, Edited
Publication Date:
2008
Published:
Durham, N.C.: Carolina Academic Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
492 p., Includes Akintunde Akinyemi's "Transnational displacement and cultural continuity : the survival of Yorùbá religious poetry in the Americas," Niyi Afolabi's "Milton Nascimento's Missa dos Quilombos: musical invocation, race, and liberation," Christopher Adejumo's "Migration and slavery as paradigms in the aesthetic transformation of Yoruba art in the Americas," Ann Albuyeh's "'Africa speaks in me': how the diaspora shaped the languages of the Caribbean, then and now," Raphael Chijioke Njoku's "Symbols and meanings of Igbo masquerades and carnivals of the Black diaspora," and Ray A. Kea's "Religion, texts, and conversion in the eighteenth-century Danish West Indies : questions of self-identity and self-determination."
369 p., Looks at contemporary novels of the anglophone African diaspora through the lens of movement, migration, and dislocation, with particular attention to how the selected authors depict black diasporic identity formation, and how they contribute to it through their writings. Thematically, this dissertation examines literary representations of the social, cultural, and psychological consequences that involuntary and voluntary migrations have had for black communities and individuals in North America, the Caribbean, and Britain. It explores the juncture of history, memory, geography, and diasporic identity, as represented by eight contemporary novelists of African and African-Caribbean descent: Charles Johnson ( Middle Passage ), Lawrence Hill ( The Book of Negroes ), Toni Morrison (Sula and Tar Baby ), George Lamming (The Emigrants ), Caryl Phillips (The Final Passage, A State of Independence, and Crossing the River ), Andrea Levy (Small Island ), Cecil Foster (Sleep on, Beloved ), and Edwidge Danticat ( Breath, Eyes, Memory ).
164 p., Explores four contemporary novels and a film that rely heavily on photographic and mass-media images to illuminate, articulate, and critique modern-day Black urban existence: Patrick Chamoiseau's Texaco (1997), Chris Abani's Graceland (2004), John Edgar Wideman's Fanon , Paulo Lins' Cidade de Deus (1997), and Fernando Meirelles' 2002 film adaptation of Lins' novel City of God . Chapters examine the ways in which photographic and/or mass-media images are used as narrative tropes or devices for representing the material conditions of an emerging slum existence. The author argues that each text reveals a preoccupation with the rise of global urbanism and visual culture as new types of discursive spaces--new kinds of "texts"-- that shape not only the real life of black people, but also the literary landscape of Black writing across the globe.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
273 p., Explores the iconography of Cuban rumba--a unique AfroCuban dance and music complex that represents the foundation of contemporary Cuban popular culture--and argues that rumba constitutes an essential part of a greater African-based ontology. Rumba dance performance is conceptualized as knowledge embodied, an avatar of nonverbal cultural communication and consciousness, which plays a central role in the organization of daily life and formation of identity. This dissertation demonstrates that concrete continuities exist between the diaspora and mainland Africa through close scrutiny of rumba and parallel performance art traditions in north, west and central Africa. Also attempts to identify specific African-based stylistic conventions as exemplified by Sahara's Imazighen (also known as Berber) peoples, Mali's Mande (known as Gangá in Cuba) and related groups, and the Kongo civilization establishing that although ethno-cultural boundaries exist, they tend to be permeable.
In this article, I analyse patterns of classifications and naming of African "nations" in colonial Cuba. Based on parish records, I suggest possible interpretations of African patterns of classification, identities and social arrangements during the formation of Cuban plantations over the course of the eighteenth century. I discuss some of the methodological implications that can be explored regarding marriages of enslaved people in Cuba based on ecclesiastical sources, chiefly in the case of Guanabacoa. I have furthered the social/demographic analysis of "nations" in Cuba, underscoring how Africans could have been the agents of networks and alliances through organizational strategies and the formation of identities. [ABSTRACT FROM AUTHOR].
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
394 p., Manning begins in 1400 and traces five central themes: the connections that enabled Africans to mutually identify and hold together as a global community; discourses on race; changes in economic circumstance; the character of family life; and the evolution of popular culture. His approach reveals links among seemingly disparate worlds. In the mid-nineteenth century, for example, slavery came under attack in North America, South America, southern Africa, West Africa, the Ottoman Empire, and India, with former slaves rising to positions of political prominence. Yet at the beginning of the twentieth century, the near-elimination of slavery brought new forms of discrimination that removed almost all blacks from government for half a century.
Okpewho,Isidore (Editor) and Nzegwu,Nkiru (Editor)
Format:
Book, Edited
Publication Date:
2009
Published:
Bloomington, IN: Indiana University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
531 p., Traces the immigrants' progress from expatriation to arrival and covers the successes as well as problems they have encountered as they establish their lives in a new country. Includes Georges E. Fouron's "I, too, want to be a big man" : the making of a Haitian "boat people"; John A. Arthur's "Immigrants and the American system of justice: perspectives of African and Caribbean Blacks"; and Perry Mars' "The Guyana diaspora and homeland conflict resolution."
