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2. Butter cows and butter buildings: a history of an unconventional sculptural medium
- Collection:
- Agricultural Communications Documentation Center (ACDC)
- Contributers:
- Simpson, Pamela H. (author)
- Format:
- Journal article
- Publication Date:
- 2019
- Published:
- USA
- Location:
- Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: 132 Document Number: D11347
- Journal Title:
- Sculpture Review
- Journal Title Details:
- 68(4) : 40-59
- Notes:
- 20 pages., Via online., Historical analysis of butter sculpture within the context of food as art, and as a way to promote butter as the natural, healthy alternative to oleomargarine.
3. Images of work, images of defiance: engaging migrant farm worker voice through community-based arts
- Collection:
- Agricultural Communications Documentation Center (ACDC)
- Contributers:
- Perry, Adam J. (author)
- Format:
- Online journal article
- Publication Date:
- 2019-09
- Published:
- Springer Publishing
- Location:
- Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: 84 Document Number: D10844
- Journal Title:
- Agriculture and Human Values
- Journal Title Details:
- 36(3):627–640
- Notes:
- 14 pages., via online journal., This article addresses a stated need within the food justice movement scholarship to increase the attention paid to the political socialization of hired farm hands in industrial agriculture. In Canada, tackling the problem of farm worker equity has particular social and political contours related to the Canadian horticultural industry’s reliance on a state-managed migrant agricultural labour program designed to fill the sector’s labour market demands. As Canada’s Seasonal Agricultural Worker Program (SAWP) produces relations of ‘unfree labour’, engaging migrant farm workers in social movement initiatives can be particularly challenging. Critical educational interventions designed to encourage migrant farm workers’ contribution to contemporary social movements in Canada must therefore confront the socio-cultural obstacles that constrict migrant farm workers’ opportunities to participate as full members of their communities. In this article, I argue that social justice oriented approaches to community-based arts can provide a means for increasing the social movement contributions of farm workers employed through managed labour migration schema such as Canada’s SAWP.