Focuses on specific aspects of the independent, creative network of musicians who in the late 1960s and early 1970s bonded together as the nueva canción or nueva canción movement across the Latin American continent, the Caribbean, and Spain. The author traces nueva canción through various key phrases. Nueva canción describes a music enmeshed within historical circumstances which included: the forging of revolutionary culture in Cuba; the coming together of political parties to form a coalition to elect the first ever socialist president in Chile in 1970; resistance to brutal Latin American dictatorships; and the struggle for new democracies. The music was often referred to by different names in different countries. It was known as: nueva cancionero (new song book) in Argentina; nueva canción (new song) in Chile and Peru; nueva trova (new song) in Cuba; and volcanto (volcanic song) in Nicaragua. Nueva canción musicians never saw their music as protest song. Nueva canción was regarded as a social force in itself and a key resource for creating collective bonds. This movement in its various forms was an emblematic music of the 1960s, 1970s, and 1980s. Functioning as both a national and international music, nueva canción has become part of the active memory of this period. Its potent legacy can be seen in the fact that many high-profile commercial singers today continue to be influenced by it: nueva canción continues to be perceived as a legitimate, unifying, and active force for peaceful change.
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. The author discusses Gates' exploration of the history of early race mixture, the contemporary valorization of Blackness, and racial inequality in Brazil.
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. The author discusses the conceptualization of blackness in the Dominican Republic.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
661 p., Focuses on the diffusion of Cuban popular musical styles throughout the Americas as well as the creation of new hybrids in places such as Puerto Rico, the Dominican Republic, Mexico, Colombia, Venezuela and Latin New York. Students, scholars and librarians will find Baila! to be an essential resource on Afro-Latin music and dance, language, literature, aesthetics, and more.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
704 p., Comprehensive reference to a range of musical styles, from Bailanta to Bossa Nova and from Salsa to Ska. It includes discussions on cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; typical features of performance and presentation; and, relationships to other genres and sub-genres.
83 p., Conditional Cash Transfer (CCT) programs have become the main social assistance interventions in Latin America and the Caribbean (LAC), reaching 129 million individuals in 18 countries in 2010. Programs shared key characteristics such as the payment of cash grants and the incorporation of co-responsibilities, but varied greatly in terms of coverage, infrastructure, routines, and even objectives. In this study, we analyze the experience of six countries (Brazil, Colombia, Honduras, Jamaica, Mexico and Peru) and attempt to identify important lessons for countries that have recently started or that are currently considering the introduction of a CCT.
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. Explores how racial polemics are explicitly entangled with the politics of Revolution in Cuba. Adapted from the source document.
United Nations Development Programme. Evaluation Office. (Author)
Format:
Book, Whole
Publication Date:
2013
Published:
New York: United Nations Development Programme, Evaluation Office
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
132 p., This evaluation covered the Regional Programme for Latin America and the Caribbean 2008-2013, implemented by the UNDP Regional Bureau for Latin America and the Caribbean, through its Panama Regional Service Centre. It examined the contributions made to development results through the implementation of regional projects, activities and the complementary technical support services provided to country offices and other national or regional partners.
