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2. 'Walk and don't look back'
- Collection:
- Black Caribbean Literature (BCL)
- Format:
- Newspaper Article
- Publication Date:
- Aug 30-Sep 5, 2012
- Published:
- Jamaica, NY
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Weekly Gleaner
- Journal Title Details:
- p. E8
- Notes:
- This is a narrative of Jamaica told on a musical crescendo, no 'bungar.ung'. Just the words of Jah. `Equal Rights: Reggae and Social Change' is seeking to transform the bare walls of the Jamaica Music Museum, stringing together notes of this truly Jamaican genre. "Since reggae is Jamaican, we have used it to convey the message," said Herbie Miller, director/curator of the Jamaica Music Museum. "It is a journey highlighting socio-political and spiritual sensibility." The realm of the `happy go lucky' Jamaica transitions to Ska depicting plain and modern art building the crescendo of social change as the legendary Bob Marley and the Wailers resonate 'Get Up Stand Up', evolution of musicians on the frontline of social change.
3. A case study of exclusion on the basis of behaviour (and experiences of migration and racialisation)
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Underwood,Kathryn (Author)
- Format:
- Journal Article
- Publication Date:
- Mar 2012
- Published:
- Abingdon, UK: Taylor & Francis
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- International Journal of Inclusive Education
- Journal Title Details:
- 16(3) : 313-329
- Notes:
- Dwayne is a Grade 6 student who came to Canada from Jamaica at the age of seven. Upon arrival in a new school Dwayne had to adapt to a new culture. In addition, Dwayne was identified as having severe behavioral problems and learning difficulties, and it was recommended within the first month of school that the boy be medicated in order for him to cope. His mother refused. Through interviewing Dwayne's mother and his teacher, a case study details Dwayne's experiences of schooling. The story of Dwayne illustrates how experiences of disablement are interrelated with experiences of migration and racialization.
4. All things are possible
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Springer,Bevan (Author)
- Format:
- Newspaper Article
- Publication Date:
- Dec 13-Dec 19, 2012
- Published:
- New York, NY
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- New York Amsterdam News
- Journal Title Details:
- 50 : 18
- Notes:
- [...]we already are making it, so it's time to stop complaining about the system and claim our inheritance in 2013.
5. CPR Annual Kwanzaa - A Community Celebration
- Collection:
- Black Caribbean Literature (BCL)
- Format:
- Newspaper Article
- Publication Date:
- Jan 12-Jan 18, 2012
- Published:
- Jamaica, NY
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Weekly Gleaner
- Journal Title Details:
- p. E5
- Notes:
- The annual event is a celebration of the second principle of Nguzo Saba, 'Kujichagulia' which means 'self determination'. Providing musical entertainment for the night was the Anthem Band along with saxophonist, Jerry Johnson and roots reggae singers Ossie Dellimore, Major Daps and Noel Jones. Cater Van Pelt was the selector for the evening and food was catered · by Totally Delicious Restaurant.
6. Curaçao and the folding diaspora: Contesting the party tambú in the Netherlands
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- De Jong, Nanette T., (Author)
- Format:
- Journal Article
- Publication Date:
- Fall; Fall, 2012
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Black music research journal
- Journal Title Details:
- 32(2) : 67-81
- Notes:
- Tambú represents a ritual from Curaçao, largest of the Netherlands Antilles, employed by the island’s African peoples as a religio-spiritual vehicle. In Dutch mainland cities, however, the Tambú has developed into a type of party music, with Curaçaoan immigrants joining other African and Afro-Caribbean immigrants to explore and express complex collective identities. These reinvented tambú parties constitute new sites of cultural reproduction as well as contestation, of solidarity as well as difference, providing the rare occasion to observe diasporic belonging among Afro-Caribbean communities in the Netherlands. These contemporary tambú parties provide a needed space to negotiate competing and overlapping identities, enabling both a specific Antillean identity as well as a more inclusive diasporic identity.
7. El Gallo Pinto: Afro-Caribbean Rice And Beans Conquer The Costa Rican National Cuisine
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Vega Jimenez,Patricia (Author)
- Format:
- Journal Article
- Publication Date:
- Jun 2012
- Published:
- Oxford, UK: Berg Publishers
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Food, Culture & Society
- Journal Title Details:
- 15(2) : 223-240
- Notes:
- The combination of rice and beans was introduced in the nineteenth century by Afro-Caribbean migrant railroad workers. Notwithstanding elite self-perception of Costa Rica as a white, European nation, economic necessity during the Great Depression helped gallo pinto gain middle class acceptance. This case illustrates both the importance of social and economic history in shaping cultural symbols and also the ways that lower-class foods can become central to national identities.
8. Factors Influencing Depression Among Afro-Caribbean Women
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Dover,Venetia A. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2012
- Published:
- District of Columbia: Howard University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 208 p., Recent prevalence rates of clinical depression in African Americans seeking services from primary care facilities reveal that African Americans are presenting with more depression symptoms than any other group. Although there is research on depression among women in general, the research among women of African descent is very limited while research on subsets of this population (Afro-Caribbean) is even more limited. Women of African descent residing in the United States are treated as a homogeneous population. Although some Afro-Caribbean women may share similar experiences with their African American counterparts, their immigration status may create unique concerns. Thus, categorizing all women of African descent as African American may provide a biased and inaccurate description of the problem.
9. Great days Pon Di River
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Henry,Davina (Author)
- Format:
- Newspaper Article
- Publication Date:
- May 10-May 16, 2012
- Published:
- Jamaica, NY
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Weekly Gleaner
- Journal Title Details:
- p. 10
- Notes:
- "We do it in the rural areas more than we do it in Kingston and I think events such as Kingston Pon Di River really need to happen more. It's a way of giving people a voice. I really congratulate the organisers, and it's one of those events that people should put on their calendar," she said. "I thought the audience reception was very positive. It's encouraging me to write some more stories. Kingston Pon Di River buss me as a creative writer, so mi haffi go through," she told The Gleaner.
10. Madam Zajj and US Steel: Blackness, Bioperformance, and Duke Ellington's Calypso Theater
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Vogel,Shane (Author)
- Format:
- Journal Article
- Publication Date:
- Jan 2012
- Published:
- Durham, NC: Duke University Press
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Social Text
- Journal Title Details:
- 30(4) : 1-24
- Notes:
- Develops a theoretical framework of biopolitical performance with which to approach the 1957 televised broadcast of Duke Ellington and Billy Strayhorn's A Drum Is a Woman. Presented on the drama anthology program The United States Steel Hour, this theater-music-dance suite fused elements of Afro-Caribbean rhythm with swing and bebop to tell a history of jazz, featuring acclaimed performers such as Carmen de Lavallade, Margaret Tynes, Joya Sherrill, and Talley Beatty. Argues that through their experimentation Ellington and Strayhorn created a hybrid performance in the mode of "calypso theater": a formal and thematic engagement with an Afro-Caribbean performance history.