No doubt the friendly, but highly-charged rivalry between Jamaica's two world record holders. [Yohan Blake] and Bolt will be the focus of attention after what has been a highlight year for both. But other Caribbean sprinters such as St. Kitts' [Kim Collins] and Trinidad and Tobago's [Richard Thompson] and fellow Jamaican Powell cannot be ruled out of the medal mix in the 100 and 200 meters. The 22-year-old Blake made a show of his aspirations when he easily won last year's World Championships after Bolt was disqualified: he then made a permanent dent in Bolt's armor of invincibility by clobbering him twice (100m and 200m) at Jamaica's Olympic trials earlier this month. Other Caribbean athletes poised to make their mark in London are Grenada's Rondell Bartolomew, (400m), Ryan Braithwaite à former World Championship gold medalist of Barbados, (110m Hurdles); St. Vincent and the Grenadines' Kineke Alexander (Women's 400m), Antiguan sprinter Daniel Bailey, (100m), and Guyana's Aliann Pompey, a former Commonwealth Games gold medalist (Women's 400m).
230 p., Carlos A. Cooks (1913-1966) was a pan-African leader, street speaker and is remembered as perhaps the most militant advocate of the racial-pride philosophies and self-help programs of Marcus Garvey (1887-1940). Cooks was born in the Dominican Republic and raised in a household where his father was a Garveyite. Cooks arrived in New York City in 1929, joined the ranks of the Universal Negro Improvement Association (UNIA), and later formed his own organization, the African Nationalist Pioneer Movement (ANPM), after Garvey died in 1940. For the following two decades, Cooks struggled to materialize the original objectives of the UNIA, exhibiting the commitment that earned him distinction among Harlem personalities. By the 1960s, Cooks had kept the legacy of Garvey going, worked with leaders fighting for freedom in Africa and the diaspora, and organized cultural and economic activities that became part of the Black Power Movement. T
Speaking of "audacity of hope," [Marcus Mosiah Garvey] burst upon the global scene at a time when the vast majority of Africans suffered under the boot of white supremacy either through ruthless, exploitative and humiliating forms of European colonialism or segregation/apartheid in the Diaspora. As his life's commitment, the Jamaican-bom national was determined to use his extraordinary gins as a visionary, orator and organizer to uplift the African race and propel Black people to their rightful place in the forefront of civilization. To achieve his goal, however, he had to find a way to "keep hope alive." One of Garvey's greatest gifts was his keen appreciation of the role that symbols play in inspiring, uplifting and motivating disadvantaged and oppressed people. There was hardly a more daunting challenge than finding a way to give hope to the ethnically disparate and virtually universally despised sons and daughters of Africa. Never one to be discouraged by the difficulty of the task, Garvey boldly declared that he would give Black people a vision of a "government," men of "big affairs and a "flag!"
Proposes that civilizational analysis has yet to fully address the colonial legacy and, to clarify the stakes at play, compares and contrasts the historical sociology of CLR James with the mytho-poetics of Derek Walcott. Both authors, in different ways, have attempted to endow that quintessentially un-civilizable body -- the New World slave -- with subjecthood.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
365 p, Discussion of the experience of blackness and cultural difference, black political mobilization, and state responses to Afro-Latin activism throughout Latin America. Its thematic organization and holistic approach set it apart as the most comprehensive and up-to-date survey of these populations and the issues they face currently available.
391 p., Argues for a revisionist periodization of neo-slave literature as well as a reorientation away from a US-based literary history that has been dominated by the mode of realism and toward a more comparative view defined by the geography, history, and aesthetics of the Caribbean. The canon of slave narratives was first dominated by the assumption both of narrative as the major and sometimes only genre of slave writing and of a linear temporality emplotting the journey from slavery to an attenuated freedom. In contrast, most twentieth-century neo-slave narratives rethink the genre from the twin standpoints of temporality and narratology: how both the "neo" and "narrative" descriptors have produced an entrenched and unnecessarily restrictive view of this evolving archive.
The story of Carmen (Mérimée 1845, Bizet 1875), the (in)famous Gypsy from Spain, is the second most adapted narrative in the history of world cinema with more than eighty global versions officially recognized to date; however, one significant and critical version has been overlooked, the controversial 1991 film María Antonia (Cuba), by Afro-Cuban filmmaker Sergio Giral.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
257 p, Part One: Engaging the Transnational, Cosmopolitan and Postcolonial in Afro-Hispanic Texts. Introduction to Part One / Antonio D. Tillis ; Roots and Routes: Transnational Blackness in Afro-Costa Rican Literature / Dorothy E. Mosby ; Los nietos de Felicidad Dolores (The Grandchildren of Felicidad Dolores) and the Contemporary Afro-Hispanic Historical Novel: A Postcolonial Reading / Sonja Stephenson Watson ; Cultural Transnationality and Cosmopolitanism in the Poetic Journeys of Nancy Morejón / Antonio D. Tillis. -- Part Two: Africa and African Cosmology and Literary Tradition in Hispanic (Con) Texts. Introduction to Part Two / Antonio D. Tillis ; Yoruba Cosmology as Technique in Malambo by Lucía Charún-Illescas / Aida L. Heredia ; Myth, Legend & Reality: Redesigning the Narrative Style in Manuel Zapata Olivella's Hemingway, the Death Stalker / Cristina Cabral ; Nicomedes Santa Cruz: A Clarion for Black Cultural Traditions in Peru / Martha Ojeda ; Bridging Literary Traditions in the Hispanic World: Equatorial Guinean Drama and the Dictatorial Cultural-Political Order / Elisa Rizo. -- Part Three: Defining and Redefining Identities in Latin American Literature. Introduction to Part Three / Antonio D. Tillis ; Black, Woman, Poor: The Many Identities of Conceição Evaristo / Ana Beatriz Rodrigues Gonçalves ; The Triumph Within: Carolina Maria de Jesus and Strategies for Black Female Empowerment in Brazil / Dawn Duke ; Talking Back with Ana Lydia Vega: Identity, Gender and the Subversive Portrayal of Mestizaje / Emmanuel Harris, III ; Dialogically Redefining the Nation: Hip-hop and the Collective Identity / Lesley Feracho.; "After generations of being rendered virtually invisible by the US academy in critical anthologies and literary histories, writing by Latin Americans of African ancestry has become represented by a booming corpus of intellectual and critical investigation. This volume aims to provide an introduction to the literary worlds and perceptions of national culture and identity of authors from Spanish-America, Brazil, and uniquely, Equatorial Guinea, thus contextually connecting Africa to the history of Spanish colonization. The importance of Latin America literature to the discipline of African Diaspora studies is immeasurable, and this edited collection provides a ripe cultural context for critical comparative analysis among the vast geographies that encompass African and African Diaspora studies. Scholars in the area of African Diaspora Studies, Black Studies, Latin American Studies, and American literature will be able to utilize the eleven essays in this edition to enhance classroom instruction and further academic research."--Publisher's website.
"The team that Jamaica currently has, I am confident will make us all very proud," [Horace I Burrell]- said, while speaking at a sponsorship announcement cere^ mony for the local coaching school held at the Jamaica Football Federation's (JFF) head office, Wednesday, April 4. "I was speaking with the President of the United States Football' Federation and he tells me that the US are now trembling because they know that Jamaica has a strong front line and of all the teams in CONCACAF, they are afraid of two teams. Jamaica and Mexico." Burrell said.
351 p., Explores the racial and gender decolonization of New York and Curaçaoan women in a select group of novels, paintings and performance text by women from Curaçao and New York City. The Curaçaoan novels are: Aliefka Bijlsma's Gezandstraald [Sandblasted] (2007); Loeki Morales' Bloedlijn Overzee: Een Familiezoektocht [Overseas Bloodline: A Family Search] (2002); Myra Römer's Het Geheim van Gracia [The Secret of Gracia] (2008). The Curaçaoan painters are: Jean Girigori (1948), Minerva Lauffer (1957) and Viviana (1972). The New York novels and performance text are: Black Artemis' Picture Me Rollin' (2005), Angie Cruz's Soledad (2003) and Nelly Rosario's Song of the Water Saints (2002) and Josefina Báez's Dominicanish (2000). The ways the women characters, figures, images and voices align to subvert gendered delineations as well as the stifling cultural and colonial imprints on their bodies and their selves in Curaçao and New York are central to the decolonizing project explored here.
