This article analyzes the role of Haitian migration and Haitian transnational engagement in the past 20 years. Shows that dependency on Haitian migrants' economic flows into their country has historically not been met by public policy leveraging these flows and that under the current economic recovery period, opportunistic views aside, it is unrealistic to expect a strategy drastically different from that of the pre-earthquake period.
Literary criticism of the book "A Description of Millennium Hall" by Sarah Scott. Focuses on the roles of slavery and imperialism in the novel. Details on the charitable transfer of wealth gained and the narrator's identity as a creole planter and slaveowner in Jamaica are also discussed.
Initiatives in the field of sexology and sex education in prerevolutionary Cuba are barely known, as continuity between those experiences and the work carried out during the years following the 1959 revolution have not been researched. The founding of the Federation of Cuban Women (FMC), however, must be considered the product of a long process of political maturity on the part of Cuban women during the first half of the twentieth century, and in the broader context of the FMC, the developments in the fields of sexology and sex education over the past fifty years also must be considered. Drawing on FMC archival holdings, this article sets out a periodization of the four main stages of the revolutionary period of institutionalizing sex education in Cuba, as well as its main challenges.
The UI Varsity Men's Glee Club (Performers), Dr. Jetro M. de Oliveria (Arranger), Dr. Barrington Coleman (Director and Arranger), Michael Mueller (Piano), Erik Opland (Bass), and Cameron Stewart (Drums)
Rene Clausen (Composer), The UI Varsity Men's Glee Club (Performers), Dr. Barrington Coleman (Director), Alex Corrao (Soloist), and Peter Jorjorian (Soloist)
