African American Research Center, Library, University of Illinois at Urbana-Champaign
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6 p., Argues the extension of Temporary Protected Status (TPS) for Haitians -- and particularly the redesignation of the eligibility period -- demonstrates the best of what the Administration can do using its executive branch authority to improve the quality of people's lives. It demonstrates a commitment to good immigration policy and to "good government" policies such as greater transparency and coordination. In the Haitian context, the Department of Homeland Security should also implement a program to grant humanitarian parole to the estimated 105,000 Haitian already approved as beneficiaries of family-based visa petitions, just as has been done for Cubans under the Cuban Family Reunification Parole Program.
This article analyzes the role of Haitian migration and Haitian transnational engagement in the past 20 years. Shows that dependency on Haitian migrants' economic flows into their country has historically not been met by public policy leveraging these flows and that under the current economic recovery period, opportunistic views aside, it is unrealistic to expect a strategy drastically different from that of the pre-earthquake period.
Through an examination of the recording Gargalhada (pega na chaleira), a chansonnette sung by Eduardo das Neves, the origin of the expression 'pegar na chaleira' (bootlicking) is traced, while some inconsistencies in the online catalogue of the Instituto Moreira Salles are revealed. Probably recorded in 1906, six years before the establishment of the Odeon plant in Rio, the piece was labeled a lundu, a paradigmatically Afro-Brazilian genre, in the 1915–26 catalogues. The music and laughter that Neves appropriates for himself were created by George Washington Johnson, the first black star of early sound recording, and reused in other Casa Edison (Brazilian Odeon) recordings on sale from 1913 to 1919. But while the former North American slave ridicules himself in accordance with white stereotypes, the self-designated Creole stages a satire on the behavior of upperclass men in Rio de Janeiro. In this process, the coon song turns into its antithesis., unedited non–English abstract received by RILM] Um exame do fonograma Gargalhada (pega na chaleira), cançoneta por Eduardo das Neves, expõe a origem da expressão “pegar na chaleira” e revela incongruências nos critérios de catalogação online do Instituto Moreira Salles. Provavelmente datada de 1906, a gravação aparece como um “lundu” em catálogos comerciais de 1915–1926, e as mesmas ideias musicais foram reaproveitadas em outros registros sonoros da Casa Edison comercializados entre 1913 e 1919. A música e o gargalhar que Neves reaproveita foram criados por George Washington Johnson, o primeiro astro negro da gravação mecânica. Mas enquanto o ex-escravo norte-americano se auto-ridiculariza de acordo com estereótipos brancos, o autodenominado “crioulo” encena uma sátira ao comportamento masculino das classes dominantes do Rio. Neste processo, a coon song transforma-se na antítese do gênero.
This paper provides a cross-cultural analysis of the experiences of Oxfam GB in supporting urban community-based disaster risk reduction in Haiti, Guyana and the Dominican Republic. The paper focuses on the efforts of Oxfam GB and its local partners to overcome the determining influence of local governance on who benefits from interventions, and the longevity of positive outcomes.
Examines aspects related to the plural constitution of Afro-descendants informed by black discursiveness in Salvador, Bahia. This discursiveness is strongly marked by the role of black music and by the history of Afro-descendant Carnaval. This essay shows that these subjects are a product of modernization and operate in it, while giving it a specific configuration. Social agents as reflexive audience play a decisive role in the review and criticism of such modernity, pluralizing it and pushing the boundaries of democracy and of representation politics, in their demand for recognition and changes. Music, as discursive production and as sociability experience, plays a key part in this process.
Against the backdrop of a tremendous surge in ethnic identity politics and social movement organizing over the last two decades in Ecuador, two complementary musical trends are explored that have emerged in reference to the country's Afro-Ecuadorian population. The first showcases the traditional music and dance of the marimba as a symbol of Afro-Ecuadorian identity. The second features numerous popular music fusions of the marimba repertoire with genres including rock, salsa, reggaetón, and more, with broad appeal to audiences throughout the country and beyond.
African American Research Center, Library, University of Illinois at Urbana-Champaign
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458 p., Offers a contemporary approach to World Regional Geography, acknowledging the geographic changes that accompany today's rapid rate of globalization. Includes chapter on "The Caribbean."
African American Research Center, Library, University of Illinois at Urbana-Champaign
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335 p., This study offers in-depth discussion and a new approach to interpreting the failure of the nation state and the chronic weakness of economic development in Haiti. It illustrates, through presentations and recommendations, how the road to true democracy and the eradication of endemic poverty in Haiti has to go through the establishment of the rule of law and strong and sustained economic growth.
Hamburg, Germany: Institut fur Iberoamerika-Kunde (IIK), GIGA German Institute of Global and Area Studies/Leibniz-Institut fur Globale und Regionale Studien
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African American Research Center, Library, University of Illinois at Urbana-Champaign
With the intensification of economic relations between the People's Republic of China and the countries of Latin America and the Caribbean, Beijing's role as a development donor has expanded in the region. The transparency of the Chinese donor services are limited since the transitions between development aid, investment and trade credits and direct investments are flowing. Focal points of Chinese engagement in Latin America and the Caribbean are upgrading the infrastructure projects in the extractive and energy sectors, education and training.