Using theories of performance geography, the author considers how black music and dance, especially the slave ship dance Limbo, create an urban counter-culture that evokes historic transcultural experiences of the Middle Passage, space, and modernity. Social theories of scholars including Michel Foucault, Paul Gilroy, and Catherine Nash are considered. Other topics include cultural geography, the Maroons of Jamaica, and dance customs of Trinidad. Interrelationships between performances at the Dancehall in Kingston, Jamaica, Blues music, and South African Kwaito music are explored.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
259 p, Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries of their acknowledge—or deny—their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries—Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru—through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism.
There are 38.9 million blacks in the United States. According to the 2000 census there are 75.9 million citizens of Brazil who would be classified as African American in the U.S. Since there are only 91.3 million Brazilian whites, who dominate the country, one wonders why so many blacks are living in poverty in favelas (slums).
400 p., This dissertation explores the spread and articulation of Garveyism--the political movement spearheaded by Jamaican activist Marcus Garvey--across Africa, the greater Caribbean, and the United States in the years following the First World War. Scholarship on Garveyism has remained fixed within a conceptual framework that views the movement synonymously with the rise and fall of Garvey's organization, the Universal Negro Improvement Association (UNIA), and which focuses predominantly on the activities of the organization in the United States. This study argues that Garveyism is more fully rendered as a global endeavor of network-building, consciousness-raising, and activism that extended beyond the operational parameters of the UNIA, influenced a diverse array of regionally-constituted political projects, and nurtured the flowering of a profoundly "Garveyist" period in the history of the African diaspora.
Since CLM TV debuted in NY in 2007, the program has racked up impressive ratings, showcasing Caribbean celebrities, movers and shakers and successful business entrepreneurs living in the USA and Jamaica. Recent guests include former Prime Minister of Jamaica the Hon. Edward Seaga; PM of Antigua, Hon. Baldwin Spencer; Mt. Vernon Mayor Clinton Young; Carl McCall, former NY State Comptroller; Rock & Roll Hall of Famer Jimmy Cliff; Brenda Blackmon, co-anchor of WWOR-TV; Suzanne de Passé, Co-Chairman of de Passé Jones Entertainment Group; Olympians Asafa Powell, Sherone Simpson, Veronica Campbell (Roland Hyde photo) CLM TV Executive members [Clement Hume] (3rd from L), [Anthony Turner], (4th L) & [Andrea Bullens] (6th L), host [Irwine Clare] (7th L), cameraman Jason Mason (8th L) and editor [Basil Wellington] (1st L) accepting the Congressional Proclamation at the station's 4th anniversary party in NY. Others in the picture are Jamaica's Consul General in New York Geneive [Brown-Metzger] (2nd L) , Veronica Beckford (5th L) - who presented the proclamation on behalf of Congressman [Gregory W. Meeks] - and [Stephen Hill] (R), CEO of CIN TV.
