The letter expresses gratitude to the South African government, and people of South Africa, for hosting the Airistides. "We also heartily support the efforts of the South African government to assist President [Jean-Bertrand Aristide] and his family in quickly returning home," the signers state, noting that "Any delays to the Airistides' prompt travel to Haiti would be yet another disappointment to a people that have already experienced a long list of tragedies, disasters, and heartbreak."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
310 p., Relates current theoretical debates about hospitality and cosmopolitanism to the actual conditions of refugees. Examines literary works by such writers as Edwidge Danticat, Nikl Payen, Kamau Brathwaite, Francisco Goldman, Julia Alvarez, Ivonne Lamazares, and Cecilia Rodriguez Milans, Jacques Derrida, Edouard Glissant, and Wilson Harris.
Ottawa, Ontario: Library and Archives Canada = Bibliothèque et Archives Canada
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Reprint of the author's 2010 M.A. thesis (Carleton University, 2010), 252 p., 3 microfiches + 1 CD-ROM., In 1970s Bahamas, a radio serial cum soap opera called The Fergusons of Farm Road that ran for almost 190 episodes over a five year period became a cultural phenomenon. Ironically, it was originally a part of a courtesy campaign designed to teach Bahamians the importance of being friendly to tourists. This thesis is the first significant study of the Fergusons , basing its insights on original episode scripts, interviews and recently discovered archival audio recordings. It situates the show within the historical and cultural context of the ongoing Bahamian tourism courtesy campaigns to better understand how it transcended the limitations of its pedagogical role into the realm of abiding popular culture.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
340 p., Sailing the tide of a tumultuous era of Atlantic revolutions, a remarkable group of African-born and African-descended individuals transformed themselves from slaves into active agents of their lives and times. Reconstructs the lives of unique individuals who managed to move purposefully through French, Spanish, and English colonies, and through Indian territory, in the unstable century between 1750 and 1850. Mobile and adaptive, they shifted allegiances and identities depending on which political leader or program offered the greatest possibility for freedom.
A photo essay entitled "Ayiti: Reaching Higher Ground" depicting Haitian people after the January 2010 earthquake in Haiti to counter the press coverage of the event, including photographs entitled "Holding Innocence," "We Can Feed the Country," and "Pretty in Pink."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
396 p., In 1804 French Saint-Domingue became the independent nation of Haiti after the only successful slave uprising in world history. Before Haiti explains the origins of this free colored class, exposes the ways its members both supported and challenged slavery, and examines how they created their own New World identity from 1760 to 1804.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
229 p., Brings together a contemporary selection in English from some of the key writers now living in Canada, the US, and the UK, as well as various countries of the Caribbean. Reflecting a changing world, and admitting diverse cultural influences and generational differences, these writers maintain a distinct Caribbean-ness in their acute historical awareness and in the cadences and rhythms of their language.
Using theories of performance geography, the author considers how black music and dance, especially the slave ship dance Limbo, create an urban counter-culture that evokes historic transcultural experiences of the Middle Passage, space, and modernity. Social theories of scholars including Michel Foucault, Paul Gilroy, and Catherine Nash are considered. Other topics include cultural geography, the Maroons of Jamaica, and dance customs of Trinidad. Interrelationships between performances at the Dancehall in Kingston, Jamaica, Blues music, and South African Kwaito music are explored.
Jamaica's veronica Campbell-Brown waves after winning the Women's 100 meters at the Diamond League Athletics meeting on Sunday May 15. in Shanghai, China. American Lashinda Demus. the meet's record holder, finished runner up in a season's best time of 54.58 seconds, with Olympic and World champion Melaine Walker of Jamaica coming third, also in an SB 54.96. The best of the other Caribbean performances came from Jamaican Dwight Thomas. He also finished fourth in the men's 110 hurdles, clocking a season's best 13.31.
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
251 p., Showcases recent works that reflect a variety of disciplines, styles and topics that include considering Indo-Caribbean women in creative, artistic and performance text, historical and anthropological analyses, intersection with their "others" in the Caribbean and its diaspora, narratives of self, healing and spiritual growth, and roles in religion and cultural activities.
