African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
45 p., Presents some of the key law enforcement and socioeconomic policy lessons from one type of response to urban slums controlled by non-state actors: namely, when the government resorts to physically retaking urban spaces that had been ruled by criminal or insurgent groups and where the state's presence had been inadequate or sometimes altogether nonexistent. Focuses specifically on Brazil, Mexico, Colombia, and Jamaica.
Izquierdo,Alejandro (Author) and Talvi,Ernesto (Author)
Format:
Book, Whole
Publication Date:
2011
Published:
Washington, DC: Inter-American Development Bank
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
57 p., Conveys three key messages: first, in this new global economic environment, key structural characteristics of Latin American and Caribbean countries are defining two quite different regional clusters in terms of opportunities and challenges ahead. Second, substantial changes in trade and capital flow patterns, as well as in the international financial architecture, are already taking place and will impact the regional clusters in different ways. Third, economic policy design will have to accommodate these differences in order to ensure widespread and stable growth.
164 p., Explores four contemporary novels and a film that rely heavily on photographic and mass-media images to illuminate, articulate, and critique modern-day Black urban existence: Patrick Chamoiseau's Texaco (1997), Chris Abani's Graceland (2004), John Edgar Wideman's Fanon , Paulo Lins' Cidade de Deus (1997), and Fernando Meirelles' 2002 film adaptation of Lins' novel City of God . Chapters examine the ways in which photographic and/or mass-media images are used as narrative tropes or devices for representing the material conditions of an emerging slum existence. The author argues that each text reveals a preoccupation with the rise of global urbanism and visual culture as new types of discursive spaces--new kinds of "texts"-- that shape not only the real life of black people, but also the literary landscape of Black writing across the globe.
