Batrell,Ricardo (Author) and Sanders,Mark A. (Translator)
Format:
Book, Whole
Publication Date:
2010
Published:
Minneapolis: University of Minnesota Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
240 p., In 1896, an illiterate, fifteen-year-old Afro-Cuban field hand joined the rebel army fighting for Cuba's independence. Though poor and uneducated, Ricardo Batrell believed in the promise of Cuba Libre, the vision of a democratic and egalitarian nation that inspired the Cuban War of Independence. After the war ended in 1898, Batrell taught himself to read and write and published a memoir of his wartime experiences,
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
247 p., A study of the interchange between Cuba and Africa of Yoruban people and culture during the 19th century, with special emphasis on the Aguda community.
Argues that the bedrock of U.S. policy is an ideology of benevolent domination. Created at the time of the Spanish-American War, President Theodore Roosevelt captured this ideology perfectly in 1907 when he explained, "I am seeking the very minimum of interference necessary to make them good," and it is seen today in the 2004 report of the Commission for Assistance to a Free Cuba. Adapted from the source document.
"I don't want to look arrogant, especially with [Cornel West]. But I believe he sat on the side of something he doesn't actually know," [Nancy Morejon] said of the open letter West and 59 other African Americans sent to Cuban President Raul Castro late last year. In it, they accused his government of mistreating civil rights activists and a "callous disregard" for its Black population. "Yes, there is racism in Cuba," Tomas Fernandez Robaina, a prolific writer about the social condition of Black Cubans, told me. The country "engaged in romanticism" when Castro ordered an end to racial discrimination nearly a half-century ago, Fernandez said. "Now we understand it will take more than goodwill to get rid of it, something Americans should know better than Cubans."
A range of economic dimensions is examined, including trade in goods and services (notably tourism), direct foreign investment, international migration, and development assistance. Following a brief review of the evolving relationship from 1959 to 1990, the nature of the economic relationship between Canada and Cuba is analyzed in more detail for the 1990 to 2009 era.
Cubans are wildly optimistic about the transformations that will occur once the United States lifts its long-standing embargo on Cuba. Overlooked in these discussions, however, is how Cuba's health-care industry may be harmed by any serious easing of trade and travel restrictions between the two countries.
Discusses representations of the 'Afro-Cuban-occupied house' in Cuban-American autobiographical narratives of a 1990s return to Cuba. A trope in which island Afro-Cubans inhabit houses once owned or lived in by white Cuban-Americans, the Afro-Cuban-occupied house appears repeatedly in Cuban-American literary and film texts during the period. The article argues that the trope, more than another example of 'literary Afro-Cubanness,' discloses Cuban-American whiteness and its constitutive element, privilege, thus inviting Cuban-American literary and cultural studies to engage in conversations along the lines of a critical Latino whiteness studies.
221 p., Carmen (Mérimée 1845, Bizet 1875), the story about the (in)famous Gypsy dancer from Spain, is the second most adapted narrative in the history of world cinema, with over eighty global versions officially recognized to date. Despite the global reach of the Carmen phenomenon, many scholars claim that this tale has hardly been reworked in Spanish America and never in the Caribbean. Following Carmen from Spain to Spanish America, the author shows how the template of Carmen (a love story that reveals the racio-ethnic and gender stratification in Spain) has been artfully but unsuspectingly reappropriated and "creolized" in postcolonial Cuba in the controversial film María Antonia (1991) by Afro-Cuban filmmaker Sergio Giral, based on the landmark play María Antonia (1964) by Afro-Cuban playwright Eugenio Hernández Espinosa.
5 p., During most of the last half century, discussions aimed at normalizing relations with Cuba have been rare and mainly unproductive. Due to Obama's optimism for political change toward Cuba during his presidential campaign, there was considerable hope that policy would be altered in a more constructive direction, but after a year, it is argued that "change" in Latin America policy has been more in reverse than in fast-forward. Tables.
Analyzes Cuba's medical role in Haiti since Hurricane Georges in 1998, with particular emphasis on the Cuban government's response to the 2010 earthquake. Examines two central themes. First, it assesses the enormous impact on public health that Cuba has made since 1998, and second, it provides a comparative analysis of Cuba's medical role since the earthquake.
