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2. Bodied knowledges (where our blood is born): Maternal narratives and articulations of black women's diaspora identity
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- crump,helen j. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- Minnesota: University of Minnesota
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 220 p., Employs a black feminist diaspora literary lens to identify, define, trace, and speak to the African Diaspora as it functions in black women's diaspora fiction and informs our understanding of black women's diaspora identity. Considers three authors and novels by women of, in, and across the African Diaspora. The study centers on Sandra Jackson-Opoku's The River Where Blood Is Born as a primary site of analysis of diaspora formation and theorization, Dionne Brand's At the Full and Change of the Moon and Maryse Condé's Desirada as comparative textual and theoretical sites.
3. Changó, el gran putas
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Manuel,Zapata Olivella (Author) and Darío,Henao Restrepo (Author)
- Format:
- Book, Whole
- Language:
- Spanish
- Publication Date:
- 2010
- Published:
- Bogotá: Ministerio de Cultura
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 667 p, An extensive novel on the African diaspora in the Americas covering five hundred years of history. Covers black heroes, Yoruba religion, fairy tales and songs of African tradition.
4. Haunting witnesses: Diasporic consciousness in African American and Caribbean writing
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Kellett,Brandi Bingham (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- Florida: University of Miami
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 210 p., This project examines the ways in which several texts written in the late 20th century by African American and Caribbean writers appropriate history and witness trauma. Analyzes the writings of Toni Morrison, Ernest Gaines, Paule Marshall, and Fred D'Aguiar as they offer distinct approaches to history and the resulting effects such reconstituted, discovered, or, in some cases, imagined histories can have on the affirmation of the self as a subject. Explores the values of the African diaspora cross-culturally as manifested in the representational practices of these writers.
5. Locating slavery in the modern national imaginary: The legacy of Haiti
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Puente,Lindsay Rae (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- California: University of California, Irvine
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 227 p., Considers the often-silenced, tangible traces that the Haitian Revolution and radical anti-slavery have left in the greater Caribbean as they emerge in contemporary cultural productions. The author looks at national trends in the Dominican Republic, Cuba and Jamaica in order to formulate an understanding of the uses of gendered images of slavery and blackness in modern nation-building campaigns. Critically assesses what is left out of these narratives and how these gaps serve specific purposes. Argues for the centrality of the Caribbean in any true understanding of the history of modernity and the contemporary nation-state by investigating the after-shocks of the Haitian Revolution and of radical anti-slavery.
6. Rumba: A philosophy of motion
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Richter,Petra (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- New Haven, CT: Yale University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 273 p., Explores the iconography of Cuban rumba--a unique AfroCuban dance and music complex that represents the foundation of contemporary Cuban popular culture--and argues that rumba constitutes an essential part of a greater African-based ontology. Rumba dance performance is conceptualized as knowledge embodied, an avatar of nonverbal cultural communication and consciousness, which plays a central role in the organization of daily life and formation of identity. This dissertation demonstrates that concrete continuities exist between the diaspora and mainland Africa through close scrutiny of rumba and parallel performance art traditions in north, west and central Africa. Also attempts to identify specific African-based stylistic conventions as exemplified by Sahara's Imazighen (also known as Berber) peoples, Mali's Mande (known as Gangá in Cuba) and related groups, and the Kongo civilization establishing that although ethno-cultural boundaries exist, they tend to be permeable.
7. The New Negro Flow and the Black Atlantic: The Musical Discourse of the Literary Griots of the Americas
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Gras,Delphine (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- Seattle, WA: University of Washington
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 249 p., Investigates the role of music in 20th century literature of the Americas. It expands the concept of the New Negro Renaissance in terms of time, place, and language. Previous studies have diminished the geographical and temporal extent of this defining moment, locating it in Harlem, starting in 1919 with the end of WWI and the Great Migration, and ending with the 1930 Great Depression. This project departs from this traditional account, demonstrating that what is usually perceived as a North American phenomenon was, in fact, international from its inception. Paying particular attention to the United States and the Caribbean, it examines "The New Negro Flow," which represents the discussion occurring during the first half of the 20th century between places in the Americas where there had been a large transplanted Black population.
8. To Fanon, with love: Women writers of the African diaspora interrupting violence, masculinity, and nation-formation
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Tomlinson,Yolande M. S. (Author)
- Format:
- Dissertation/Thesis
- Publication Date:
- 2010
- Published:
- Georgia: Emory University
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- ProQuest Dissertations and Theses
- Notes:
- 239 p., Undertakes a critical task of "writing to" and "writing back to" Frantz Fanon on the issues of violence, masculinity, and nation-formation. The author deploys Brian Keith Axel's formulations of "national interruption" to position African diasporic women's novels--specifically Gayl Jones's Corregidora, Tsitsi Dangarembga's Nervous Conditions, and Edwidge Danticat's Breath, Eyes, Memory --as critical interruptions to Fanon's formulations.