369 p., Reconstructs the process of migration, assimilation, and the realization of full sociopolitical participation in the United States in terms of the relationship between peoples of African descent--who were compelled to migrate as slaves across the Middle Passage, and who also voluntarily immigrated from various localities within the Black Atlantic--and select groups of immigrants from other locations around the globe. The author concentrates on novels by William Faulkner, Paule Marshall, James Baldwin, and cartoonist Chris Ware, and examine closely how these authors, in their respective texts, work to restructure, reimagine, and thereby challenge the enshrined American narratives of national belonging and acculturation through literary constructions of the identities and experiences of peoples of African descent, as migrants themselves, in tandem with their social, political, economic, sexual, racial, and cultural engagements with other immigrants to the nation-state.
169 p., Examines entanglements of race, place, gender, and class in Puerto Rican reggaetón. Based on ethnographic and archival research in San Juan, Puerto Rico, and in New York, New York, I argue that Puerto Rican youth engage with an African diasporic space via their participation in the popular music reggaetón. By African diasporic space, the author refers to the process by which local groups incorporate diasporic resources such as cultural practices or icons from other sites in the African diaspora into new expressions of blackness that respond to their localized experiences of racial exclusion. Participation in African diasporic space not only facilitates cultural exchange across different African diasporic sites, but it also exposes local communities in these sites to new understandings and expressions of blackness from other places. As one manifestation of these processes in Puerto Rico, reggaetón refutes the hegemonic construction of Puerto Rican national identity as a "racial democracy."
This essay analyzes representations and imaginaries of blackness in contemporary Puerto Rico, by focusing on the debates raised by 'Raices'/(Roots) (2001), the Banco Popular video special about traditional Afro-Puerto Rican rhythms of bomba and plena. These debates divided public opinion in Puerto Rico and included members of academia, musicologists, bomba and plena groups, and the San Anton (Ponce) community residents. They refer to the ways Puerto Ricans 'speak the unspoken,' that is, the ways Puerto Ricans talk about race and its intersectionalities on the island and in the diaspora.
The article reviews the book “'New Negroes from Africa': Slave Trade Abolition and Free African Settlement in the Nineteenth-Century Caribbean," by Rosanne Marion Adderley.
The article presents an examination into the history and influence of the Black community of Montevideo, Uruguay during the 19th and 20th centuries. Details are given noting how the African community of Montevideo became a powerful cultural and advocacy hub for the African diaspora in Latin America. Description is provided regarding the various racial identity issues which manifested themselves in the Uruguayan community during the period along with analysis of the means by which they were addressed such as African journalism, social institutionalism and other forms of cultural production.
Olaniyan,Tejumola (Author) and Sweet,James H. (Author)
Format:
Book, Whole
Publication Date:
2010
Published:
Bloomington, IN: Indiana University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
363 p., "Most of the book's chapters derive from a two-day international symposium held at the University of Wisconsin-Madison in March 2006." Includes Paget Henry's "Caribbean Sociology, Africa, and the African Diaspora" and Carolyn Cooper's "African Diaspora Studies in the Creole-Anglophone Caribbean: A Perspective from the University of the West Indies, Mona, Jamaica"
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
247 p., A study of the interchange between Cuba and Africa of Yoruban people and culture during the 19th century, with special emphasis on the Aguda community.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
307 p, Contents: On diaspora and the Akan in the Americas -- Quest for the river, creation of the path: Akan cultural development to the sixteenth century -- History and meaning in Akan societies, 1500-1800 -- The most unruly: the Akan in Danish and Dutch America -- The antelope (adowa) and the elephant (esono): the Akan in the British Caribbean -- All of the Coromantee country: the Akan diaspora in North America -- Diaspora discourses : Akan spiritual praxis and the claims of cultural idenitity
220 p., Employs a black feminist diaspora literary lens to identify, define, trace, and speak to the African Diaspora as it functions in black women's diaspora fiction and informs our understanding of black women's diaspora identity. Considers three authors and novels by women of, in, and across the African Diaspora. The study centers on Sandra Jackson-Opoku's The River Where Blood Is Born as a primary site of analysis of diaspora formation and theorization, Dionne Brand's At the Full and Change of the Moon and Maryse Condé's Desirada as comparative textual and theoretical sites.
Manuel,Zapata Olivella (Author) and Darío,Henao Restrepo (Author)
Format:
Book, Whole
Language:
Spanish
Publication Date:
2010
Published:
Bogotá: Ministerio de Cultura
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
667 p, An extensive novel on the African diaspora in the Americas covering five hundred years of history. Covers black heroes, Yoruba religion, fairy tales and songs of African tradition.
