African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
247 p, Argues that development processes and social movements shape each other in uneven and paradoxical ways. She bases her argument on ethnographic analysis of the black social movements that emerged from and interacted with political and economic changes in Colombia's Pacific lowlands, or Chocó region, in the 1990s.
"The initiative increases the visibility and presence of Black, African and Caribbean queers in Canada," says Akim Ade Larcher, Founder of Stop Murder Music (Canada) "It's the first of its kind in Canada and I'm proud to announce it during Black history month."
In anticipation for the main event on May 20, there will be a special Haitian Flag Day lecture on Wednesday, May 13 from 6- 7:30 p.m. at the Cambridge Senior Center, 806 Massachusetts Avenue. The lecture will be given by John Barnes and Josiane Hudicourt-Barnes, who will speak about the rich diversity that the local Haitian population has bestowed upon our city.
301 p., Throughout the 20th century, various Cuban regimes have tried to eliminate the practice of religions of African origin by combining repressive legislation and coercive social practices that stigmatized practitioners as culturally backward, socially deviant, and mentally deficient. Religious practitioners, however, used the state apparatus to continue worshipping their African deities, sometimes challenging government officials' excessive application of the law or devising ways to evade their scrutiny. Through an analysis of archival documents, newspapers, works produced by practitioners, oral history interviews and published ethnographies, this dissertation examines the strategies practitioners of Ocha-Ifá - also known as Santería - employed as they continued practicing the religion of their ancestors and participating in the national projects of the twentieth century. Focusing on the period after the 1959 revolution, this dissertation argues that revolutionary policies that were designed to discourage the practice of religions of African origin actually facilitated its continued practice and development in unintended ways.
261 p., Italian painter Agostino Brunias first traveled to the Caribbean sometime around 1770 in the employ of Sir William Young, First Baronet, a British aristocrat who had been charged with overseeing the sale of lands in the islands won by Britain from France at the end of the Seven Years War. Working primarily on the islands of Dominica and St. Vincent, as Young's official painter, Brunias was ostensibly charged with documenting the exotic bounty and diversity of the islands. For roughly the next quarter century, he painted for plantocrats and the colonial elite, creating romanticized tableaux that featured Caribbeans of color--so called "Red" and "Black" Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race. Examines how the artist's images reflected and refracted ideas about race commonly held by Britons in the colonial Caribbean during the late 18th century.
Anderson,Jaynie (Editor) and Comité international d'histoire de l'art (Author)
Format:
Book, Edited
Publication Date:
2009
Published:
Carlton, Vic: Miegunyah Press, Melbourne University Publishing
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
International Congress of the History of Art (32nd :; 2008 :; Melbourne, Vic.); Comité International d'Histoire de l'Art, CIHA, The University of Melbourne, 13-18 January 2008., 1108 p., Presents an examination of the effect of globalism on art and art history. Covering different aspects of art, this title explores the themes of conflict, migration and convergence in the visual, symbolic and artistic exchanges between cultures throughout history. Includes Roberto Conduru's "From silence to multiple incorporation: art and Afro-Brazilian religions."
