African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
389 p., Thirteen-year-old Hazel leaves her comfortable, if somewhat unconventional, London home in 1913 after her father has a breakdown, and goes to live in the Caribbean on her grandparents' sugar plantation where she discovers some shocking family secrets.
Palmer,Steven Paul (Editor) and Molina Jiménez,Iván (Editor)
Format:
Book, Edited
Publication Date:
2009
Published:
Durham, NC: Duke University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
383 p., Includes more than fifty texts related to the country's history, culture, politics, and natural environment. Most of these newspaper accounts, histories, petitions, memoirs, poems, and essays are written by Costa Ricans. Includes Jose Cubero's "A slave's story"; Cabildo of Cartago's "Free blacks, mulattoes, and mestizos seek legitimacy"; and Clodomiro Picado's "Our blood is blackening."
Quirke,Ellen (Author), Potter,Robert B. (Author), and Conway,Dennis (Author)
Format:
Internet resource
Publication Date:
2009
Published:
Reading, England: Geography, the University of Reading
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
37 p., Whilst research on second-generation return migration to the Caribbean from the UK has identified transnational practices among a cohort of individuals, there is considerable scope for further research examining transnational practices, inter-generational transfers and intention to return among the 1.5-, second- and third-generation Black Caribbean community in situ in the UK.
The author explores themes of Black masculinity using both historic and contemporary examples. He discusses "neoliberal" expectations regarding sexual orientation, family life, and self-fulfillment. He explores alternate definitions of gender as exhibited in the self-portraits by Abdi Osman and Syrus Ware.
West,Michael O. (Editor), Martin,William G. (Editor), and Wilkins,Fanon Che (Editor)
Format:
Book, Edited
Publication Date:
2009
Published:
Chapel Hill: University of North Carolina Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
318 p., Focuses on three moments in global black history: the American and Haitian revolutions, the Garvey movement and the Communist International following World War I, and the Black Power movement of the late twentieth century.
This paper explores the African Diaspora and the psychological, social, political, and economic effects of the Atlantic slave trade on people of African descent in the historical fiction text The Farming of Bones by Edwidge Danticat and the travel narrative The Atlantic Sound by Caryl Phillips. By examining the complex history of the British and French slave trade and its later consequences in the twentieth century, this paper examines the connection between the evidence of displacement and the search for identity coupled with the idea of healing in regards to trauma suffered by the spirits of Danticats' and Phillips' characters symbols of those in the African Diaspora.
261 p., Italian painter Agostino Brunias first traveled to the Caribbean sometime around 1770 in the employ of Sir William Young, First Baronet, a British aristocrat who had been charged with overseeing the sale of lands in the islands won by Britain from France at the end of the Seven Years War. Working primarily on the islands of Dominica and St. Vincent, as Young's official painter, Brunias was ostensibly charged with documenting the exotic bounty and diversity of the islands. For roughly the next quarter century, he painted for plantocrats and the colonial elite, creating romanticized tableaux that featured Caribbeans of color--so called "Red" and "Black" Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race. Examines how the artist's images reflected and refracted ideas about race commonly held by Britons in the colonial Caribbean during the late 18th century.
85 p., This thesis examines the practice of Obeah--an Afro-Caribbean system of healing, harming, and divination through the use of spiritual powers--within two slave communities in Berbice and Demerara (British Guiana). This study is based primarily on legal documents--including testimony from more than a dozen slaves--generated during the criminal trials of two men accused of practicing Obeah in 1819 and 1821-22. In contrast to most previous studies of Obeah, which have been based largely on descriptions provided by British observers, this project takes advantage of this complex, overlapping body of evidence to explore the social dynamics of Obeah as experienced by enslaved men and women themselves, including Obeah practitioners, their clients, and other witnesses. This study reveals that Obeah rituals could be extremely violent, that Obeah practitioners were feared as well as respected among their contemporaries, that the authority of Obeah practitioners was based on demonstrable success, and that slave communities in general were complex social worlds characterized by conflict and division as well as by support and unity--conclusions that combine to produce a fresh, humane vision of Afro-diasporan culture and community under slavery.
268 p., This study used a Black feminist critical framework to examine the conditions that influence the production of black women's fiction during the postwar era (1945-60). The novels of Ann Petry, Dorothy West and Paule Marshall were studied as artifacts that were shaped by the cultural and political climate of this crucial period in American history. A survey was also conducted of their associations with members and organizations in the American Left to determine what impact their social activism had on their lives and art. It was determined that these writers' political engagement played a significant role in the creation of transformative narratives about the power of black women to resist oppression in all of its forms. As a consequence of their contribution to a rich black feminist literary tradition, these postwar black women fiction writers serve as important foremothers to later generations of black women artists.
276 p., A critical examination of Haitian migration and displacement in North America that engages both a theoretical and literary analysis of exile and diaspora as consequences of migration and displacement. Argues that Haitian writers in North America inscribe migration by troping exile and diaspora to speak of the predicament of displaced migratory subjects and their inevitable crossings of places, landscapes, borders, cultures, and nations. Analyzes three novels by Haitian-American writer Edwidge Danticat: Breath, Eyes, Memory (1994), The Farming of Bones (1998), and the Dew Breaker (2004); and two novels by Haitian Canadian writer Myriam Chancy: Spirit of Haiti (2003) and The Scorpion's Claw (2005).
363 p., investigates the pre- and post- migratory experiences of working-class African-Caribbean women from the English-speaking Caribbean who left their children in their home countries while pursuing better economic opportunities in Canada from the 1970s to the early 1990s. The author problematizes the intersectional relationship between female migrant labor, transnationality and motherhood within the rubric of globalized gender, race and class relations. Given the centrality of African-Caribbean women's worker-mother role in their societies, further exploration of this role within global migration is important in order to recognize its significant gendered impact on women's labor and familial relations on a transnational level.
225 p., Drawing attention to poets whose writing on this subject has received little critical attention, this study examines contemporary poetry of the black Atlantic in particular focusing on work by Kwame Dawes, David Dabydeen, Lucille Clifton, and Elizabeth Alexander. In exploring poetic treatment of the Middle Passage, primarily through the lyric, epic, and long poem, the author identifies four interrelated poetics that reveal the dynamism of this legacy: lamentation, retribution, rupture, and re-membering. While critical analysis of texts that rewrite slave experiences has tended to focus on narrative, and that primarily on plantation slavery, "Sea of Bones" advocates attention to the way black Atlantic poetry renders the Middle Passage as a complicated and haunting personal heritage.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
311 p., Focuses on conflict and convergence among African Americans, Cuban exiles, and Afro-Cubans in the United States. Argues that the racializing discourses found in the Miami Times, which painted Cuban immigrants as an economic threat, and discourses in the Herald, which affirmed the presumed inferiority of blackness and superiority of whiteness, reproduce the centrality of ideologies of exclusivity and white supremacy in the construction of the U.S. nation.
306 p., While it has long been assumed that schooling is integral to the construction of modern nation-states, surprisingly little is known about whether and how teachers actually go about transmitting national culture in the classroom. Relying on ethnographic research conducted in lycées on the French island of Martinique, including classroom observations, semi-structured interviews with teachers, informal interviews with school administrators and regional policymakers, and archival research, the author explores the ways in which history-geography teachers negotiate the construction of national and regional identities on an everyday basis, and in doing so become active participants in the formation of these identities within schools. The author finds that teachers in Martinique have long had significant influence over the implementation of national curricula.
Findings indicated the common denominators for African, African American, and Caribbean women regarding breast cancer are that (1) they present at younger ages, (2) they present having advanced-stage tumors, (3) they are often from lower socioeconomic levels, and (4) they lack knowledge regarding causes and treatment of breast cancer.
"This essay addresses the horrific struggles of enslaved Africans during the "Middle Passage" and argues that the "Black Atlantic" can be considered as a form of existential crucifixion for those whose lives were decimated during the traversing of this oceanic divide between their old world and the new. The author argues that this existential crucifixion represents a kind of collective experiential-historical "Low Saturday" for Diasporan African peoples, in that the failure of full freedom to emerge for "us" suggests that Easter Sunday is an aspirational dream rather than a contextual reality." [ABSTRACT FROM AUTHOR]
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
247 p., Describes how black Cubans experience racism on two levels. Cuban racism might result in less access for black Cubans to their group's resources, including protection within Cuban enclaves from society-wide discrimination. In society at large, black Cubans are below white Cubans on every socioeconomic indicator. Rejected by their white co-ethnics, black Cubans are welcomed by other groups of African descent. Many hold similar political views as African Americans. Identifying with African Americans neither negatively affects social mobility nor leads to a rejection of mainstream values and norms.
"This essay makes what may seem an obvious case: that authentic Black British God-talk needs to urgently engage with the diverse religious landscape of which it is a part. In the process, the essay seeks briefly to scrutinize past and present Black British theological discourse, explore the overtures with regard to engagement with multi-faith and interfaith issues and offer some tentative observations and practical suggestions on the way forward." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
284 p., An anthropological study of music as social activism and postcolonial identity development. The research for this dissertation was conducted in Trinidad and Tobago during an extended period of fieldwork from August 2003-February 2005, and during subsequent research trips from 2005 through 2008. This dissertation is a social history of the evolution of rapso, a genre of music that is heavily oriented toward poetic lyrics that advocate for social justice and the upliftment of the oppressed in Trinidad and Tobago. Grounded in oral and archival history and performance analysis, this study addresses the complex interconnections between the political economy of cultural production in Trinidad and Tobago, the politics of racial, gender, and national identity, and the individual quest for self-affirmation and meaning in life through the pursuit of artistic and activist work.
211 p., Explores the similarities and differences which characterize the depiction of people of color in certain representative 19th century Cuban and Brazilian slavery novels as a function of the authorial approach of each territory's literary tradition toward the issues of slavery, racial prejudice, and people of color. The selected texts, derived from the peak periods in slavery literature of each territory, include Francisco , by Anselmo Snárez y Romero; Sab , by Gertrudis Gómez de Avellaneda; Cecilia Valdés , by Cirilo Villaverde; A escrava Isaura , by Bernardo Guimarães; O mulato , by Aluísio Azevedo; and Bom-Crioulo , by Adolfo Caminha. While the present study explores the enslavement, abuse, and discrimination of people of color as a consequence of a deep-seated discourse of power, privilege and racial superiority, it focuses more extensively on the representation of people of color, particularly in their capacity to constructively appropriate the cultural values of the white dominant group and recognize their identity as ambiguous.
New Brunswick, New Jersey: Rutgers The State University of New Jersey
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
319 p., Argues that despite the inherent racist implications of classical and modern formulations of the heroic, the hero remains a site of struggle and resistance for writers of and in the African Diaspora. This project considers a genealogy of writers beginning with Ralph Ellison whose novel, Invisible Man and short story, "Flying Home," engage with classic and then contemporary forms of the heroic and seek to carve out a space for the African American heroic. Considers novels and short stories produced by the next generation of writers, specifically the work of Charles Johnson and Toni Cade Bambara, who inherit Ellison's legacy of engagement with aesthetic and political implications of social and popular cultural movements and history. Argues that these writers come to very different conclusions as to the efficacy of the "hero." Concludes the dissertation with the work of Michelle Cliff and Patricia Powell, whose work take us to the Anglo Caribbean and enables me to think through the movement of this figure through conduits of colonial and global capital and the resiliency of contemporary struggles, political and aesthetic, with this figure as a site of resistance and revolution.
333 p., Examines both historical and contemporary attempts by the people of Ouidah, Benin Republic in West Africa and in the Caribbean country of Haiti to confront and reconcile their relationship via the transatlantic slave trade. Oral and visual narrative have been central to this process as people represent, reflect and interpret a past that is fraught with gaps, silences and erasures. Proposes that the process of remembrance mirrors a traditional rites of passage whereby one lives as part of a community, dies to the past and then is reborn anew in the community. Both Ouidahans and Haitians now occupy a liminal space--an exilic space--in which they struggle to remember a past that was for many years repressed and suppressed.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
267 p., Draws on in-depth interviews to reveal the personal experiences of those who adopted the religion in the 1950s to 1970s, one generation past the movement's emergence . By talking with these Rastafari elders, he seeks to understand why and how Jamaicans became Rastafari in spite of rampant discrimination, and what sustains them in their faith and identity.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
319 p., Africans in Jamaica developed and exhibited a multiplicity of cultural identities and a complex set of relationships amongst themselves, reflective of their varied cultural, political, social, and physical origins. In the context of late-18th and early-19th century Buff Bay, Jamaica, most Africans were enslaved by whites to serve as laborers on plantations. However, a smaller group of Africans emerged from enslavement on plantations to form their own autonomous Maroon communities, alongside the plantation context and within the system of slavery. These two groups, enslaved Africans and Maroons, had a very complex set of relationship and identities that were fluid and constantly negotiated within the Jamaican slave society that was in turn hostile to both groups.
189 p., A study of cultural resource management initiatives and the extent to which archaeological surveys and excavations include or exclude African Caribbean contemporary and historic communities, throughout these processes. Data were collected through archival research, interviews and surveys and analyzed qualitatively to examine the degree to which stakeholders, particularly those who have been historically marginalized, have been incorporated into these processes.
203 p., This research sterns from twelve months of ethnographic research with Haitian migrant women who reside in Batey Sol , a former sugar-company labor camp located along the Línea Noroeste (northwest line) linking the Dominican Rebulic's border town of Dajabón with the urban center of Santiago. The multi-sited study considers the larger network of political, social, and economic structures and relations of power in which these women are positioned in their daily lives and through their livelihoods as market women.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
148 p., Explores the socio-cultural shifts in Dominicans' racial categories, concluding that Dominicans are slowly embracing blackness and ideas of African ancestry. This book examines the movement of individuals between the Dominican Republic and the United States, where traditional notions of indio are challenged, and called into question.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
292 p., Definitive information on the identity and status of the emancipados who were a special group of Africans in Brazil, Cuba and Latin America. The author establishes that the peculiar nature of the introduction of the emacipados into Brazil and America made them free Africans, both de jure and de facto, thereby setting them apart from freed Africans or slaves in Brazilian and Cuban societies. Emancipados held a much better status within these societies.
84 p., Examines literary blackness in The Brief Wondrous Life of Oscar Wao by Junot Díaz. The literary construct of the GhettoNerd, a character whose voice and worldview is informed not only by the harsh realities of inner-city life, but also by the other-worldliness of Genre and popular culture, stands as a testament to the cultural mixtape that is hip-hop. The author argues that the GhettoNerd is useful for making visible historical trauma and exposing marginalization while articulating agency and self-determination. In the case of Oscar Wao, Díaz creates the GhettoNerd in a Dominican context as a vehicle for exposing the blanqueamiento, the trujillato, and the deracialization among the Dominican diaspora.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
318 p., In the late 20th century, Toni Cade Bambara, Paule Marshall, Gloria Naylor, Ntozake Shange, and Toni Morrison reclaim and revise cultural nationalism. The author devotes a chapter to each author. Organizing, formally on the page and thematically in the story, heals the fractured single and communal bodies in Bambara's 1980 novel The Salt Eaters. On the islands of Tatem and Carriacou, Marshall's Avey Johnson dances a cultural nation dependent on diasporic connections in Praisesong for the Widow (1983). Naylor's Willow Springs proves fertile island ground in Mama Day (1988) for women's work to map nation, unearth an archive, and mother the next generation. Shange's recipe-laden novel Sassafrass, Cypress & Indigo (1982) and later cookbook if I can Cook/you Know God can (1998) posit cooking as theory and practice of community. In Morrison's Paradise (1997), women write and paint records of their individual and collective histories. This group of writers uses Africa, the Sea Islands, the Caribbean, the American South, the kitchen, the dance floor, and the garden as spaces that help define a distinctly African American collectivity practiced in highly local, concrete work for fashioning self and community. In these practices, cultural nationalism comes to rely not on the imagined and far away, but on the lived and local.
108 p., Investigate how contemporary fiction written by mixed race North American authors challenges theories of cultural and racial fluidity. Specifically looks at the works of Lawrence Hill, Shani Mootoo, and Danzy Senna, because their work uses similar conditions of hybridity in identity, through the lens of cultural performance. These authors represent my politics of an inclusionary mixed race theory by representing differences amongst themselves that resolve into a focus on language, as it reflects on mixed race literature.
301 p., Throughout the 20th century, various Cuban regimes have tried to eliminate the practice of religions of African origin by combining repressive legislation and coercive social practices that stigmatized practitioners as culturally backward, socially deviant, and mentally deficient. Religious practitioners, however, used the state apparatus to continue worshipping their African deities, sometimes challenging government officials' excessive application of the law or devising ways to evade their scrutiny. Through an analysis of archival documents, newspapers, works produced by practitioners, oral history interviews and published ethnographies, this dissertation examines the strategies practitioners of Ocha-Ifá - also known as Santería - employed as they continued practicing the religion of their ancestors and participating in the national projects of the twentieth century. Focusing on the period after the 1959 revolution, this dissertation argues that revolutionary policies that were designed to discourage the practice of religions of African origin actually facilitated its continued practice and development in unintended ways.
164 p., Traces the journey of blacks from the Middle Passage through urban migration northward in black fiction. Argues that the historical use of religious rhetoric is transcended in black writing of the 20th century in order to recast black victimization during slavery, counter the progress of turn-of-the-century white supremacy, and chronicle the rise of economic racism which created the 20th century black ghetto. The religious doctrines discussed in this study include Puritan missionizing and heretical purges in I, Tituba, Black Witch of Salem , the social work of the Catholic church in Contending Forces: A Romance Illustrative of Negro Life North and South , and the cultural intensity of the Pentecostal/Apostolic church in Go Tell It on the Mountain.
Members of the Congressional Black Caucus, including Ohio Congresswoman Marcia Fudge, have been taking it on the chin in some quarters for a fact-finding trip to Havana, Cuba, to meet with that nation's president. Since the Kennedy administration in the 1960s in the wake of the Cuban Missile Crisis, the tiny island 90 miles off the coast of the U.S. has been embargoed and isolated.
"The election of President Barack Obama presents a great new opportunity to rethink U.S. foreign policy in many regions of the world," [Barbara Lee] said. "America's harsh approach toward our nearest Caribbean neighbor divides families, closes an important market to struggling U.S. farmers, harasses our allies and is based on antiquated Cold War era thinking." Thursday, Lee joined Reps. Bill Delahunt (D-MA), Jeff Flake (R-AZ) and other members in calling for the lifting of the ban on travel to Cuba from the United States through the passage of H. R. 874, the Freedom to Travel to Cuba Act. Lee has led other delegations to Cuba in previous years. She has long supported an end to the travel ban to Cuba and has introduced legislation that would remove travel restrictions for students traveling to Cuba.
The State Department revealed that an estimated 30,000 undocumented Haitians face deportation to their homeland. [Hillary Clinton], however, said the U.S. will look closely at the issue "and try to come up with some appropriate responses to the challenges posed." A large number of legislators and immigration advocates have been calling on the Obama administration to grant TPS to Haitians as the U.S. has done for other countries, such as Honduras and Nicaragua. Last month, two prominent U.S. Democratic senators - Charles Schumer of New York, chairman of the Senate Subcommittee on Immigration, Refugees and Border, and Patrick Leahy of Vermont, chairman of the Senate Judiciary Committee wrote U.S. President Barack Obama, expressing deep concern about the status of Haitians here.
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
180 p., Brings together, in one volume, a number of monographs from the mid to late 18th century (the period known as the Age of Reason) on the diagnosis and treatment of diseases of African and Creole slaves in the English-speaking Caribbean. Included here are James Grainger’s Essay on the More Common West-Indian Diseases (1764) and book 4 of The Sugar-Cane (1764); book 2 of the Reverend Griffith Hughes’s Natural History of the Island
of Barbados (1750); and Benjamin Moseley’s Miscellaneous Medical Observations (1789).
Hefferan,Tara (Editor), Adkins,Julie (Editor), and Occhipinti,Laurie (Editor)
Format:
Book, Edited
Publication Date:
2009
Published:
Lanham, MD: Lexington Books
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 238 p.
Notes:
Includes /Bretton Alvaré's "Fighting for 'livity': Rastafari politics in a neoliberal state" and Tara L. Hefferan's "Encouraging development 'alternatives': grassroots church partnering in the U.S. and Haiti"
Would it come as any surprise that the first U.S. Black President may have sent members of the Congressional Black Caucus to kick start talks with Cuba's Fidel Castro? Castro's socialist revolution, contrary to official pronouncements, may not have cured the race issue in Cuba. "The fifty-year embargo just hasn't worked," Congressional Black Caucus Chairwoman Barbara Lee (D-Ca.) told reporters at a Capitol press conference after returning from a congressional delegation visit to Cuba. "The bottom line is that we believe it's time to open dialogue with Cuba."
The Clarke bill calls for all questionnaires "used in the taking of any decennial census of the U.S. population, to include a checkbox or other similar option so that respondents may indicate Caribbean extraction or descent". "In conducting the 2010 decennial census and every decennial census thereafter, the Secretary of Commerce shall include, in any questionnaire distributed or otherwise used for the purpose of determining the total population by states, a checkbox or other similar option by which respondents may indicate Caribbean extraction or descent", states the bill. [Felicia Persaud] said the Clarke bill gives the Caribbean community renewed impetus to ensure they lobby around this cause and most importantly, fill out and return the 2010 Census form, especially by writing in their country of origin under Question 8. The origin's category is not an ethnic category so this will not divide the black or Asian or any other ethnic group that may perceive this as a 'divide and rule' strategy, Persaud added.
Prime Minister Baldwin Spencer on Saturday. August 1 urged citizens to ensure that the horrible and dehumanising system of slavery is never allowed to happen again while encouraging closerunity between the Caribbean Community (CARICOM) and Africa. "Therefore celebrating our Emancipation should inspire us to unite as citistens of the Caribbean to ensure that we never allow ourselves to be subjected to any form of slavery^'Spencer said in a message marking the 175th anniversary of the end of slavery.
PORT OF SPAIN, Trinidad, CMC - The Barbados-based Caribbean Examination Council (CXC) has signed an agreement with the Institute of Critical Thinking at the University of the West Indies (UWI) that could result in a "paradigm shift from role learning and regurgitation to real thinking".
"We're all big men, it won't affect our performance. We have to get on with it. It's not a case of what I've said upsetting the team," [Chris Gayle] said. "I am definitely not giving up the captaincy after this Test match. I think I still have a big part to play in West Indies cricket," Gayle said. "It takes a toll on your body and your mental strength. It can drain you a bit," said Gayle, whom the Guardian quoted on Tuesday as saying he preferred Twenty20 cricket to Test cricket.
I thought that when we played against the last teams in the (Caribbean) final leg, those teams gave us an idea of what is to come in the CONCACAF final in terms of the physical characteristic of those players. I think that they will be a lot more explosive and also stronger than the Caribbean teams," said [Donovan Duckie]. "This will help us to enhance the develop - ment of our physical condition to be very competitive against them. It will also help us in our injury rehabilitation and to prevent injuries and also to develop specific explosiveness with more resistance training."
Bilby,Kenneth M. (Author) and Neely,Daniel T. (Author)
Format:
Book, Section
Publication Date:
2009
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The Anglophone Caribbean islands are host to a rich and diverse tradition of dances and dance music adopted from European ballroom traditions. These traditions should be seen less as examples of “assimilation” than as products of a shared history of creativity, struggle, and adaptation among the colonized. Thus, for example, the related “tambrin” tradition of the island of Tobago has served as a vehicle for spirit possession in ceremonies with clear African-derived elements.
