268 p., This study used a Black feminist critical framework to examine the conditions that influence the production of black women's fiction during the postwar era (1945-60). The novels of Ann Petry, Dorothy West and Paule Marshall were studied as artifacts that were shaped by the cultural and political climate of this crucial period in American history. A survey was also conducted of their associations with members and organizations in the American Left to determine what impact their social activism had on their lives and art. It was determined that these writers' political engagement played a significant role in the creation of transformative narratives about the power of black women to resist oppression in all of its forms. As a consequence of their contribution to a rich black feminist literary tradition, these postwar black women fiction writers serve as important foremothers to later generations of black women artists.
Uses United States census data from the 1990 and 2000 to examine the earnings attainment for Black immigrant women (Africans and English-, French- and Spanish-speaking Caribbeans) and native-born Black women (African Americans). Data for both samples reveal sizeable earnings differences between the five groups. African, English and French Caribbean immigrant women exhibit noticeably higher average earnings than African Americans. However, with controls for earnings-related measures, the African immigrant advantage is eliminated in the 1990 sample, but not the English and French Caribbean immigrant advantage, nor the Spanish Caribbean immigrant disadvantage. No significant earnings difference was found between African Americans, English and Spanish Caribbean immigrants in the 2000 sample. Conversely, African and French Caribbean immigrants' earnings were significantly lower than those for African Americans.
Previous studies focused on obesity and weight management have ignored the cultural uniqueness of Afro-Caribbean individuals. The purpose of this study was to examine the cultural context for notions of good health and health practices, and perception of obesity and weight management, among African American and Caribbean American women. Four focus groups of Afro-Caribbean and African American women (age 40 and older) were conducted between May and July of 2007 to explore cultural factors related to physical activity, healthy eating and weight management.
Findings indicated the common denominators for African, African American, and Caribbean women regarding breast cancer are that (1) they present at younger ages, (2) they present having advanced-stage tumors, (3) they are often from lower socioeconomic levels, and (4) they lack knowledge regarding causes and treatment of breast cancer.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
318 p., In the late 20th century, Toni Cade Bambara, Paule Marshall, Gloria Naylor, Ntozake Shange, and Toni Morrison reclaim and revise cultural nationalism. The author devotes a chapter to each author. Organizing, formally on the page and thematically in the story, heals the fractured single and communal bodies in Bambara's 1980 novel The Salt Eaters. On the islands of Tatem and Carriacou, Marshall's Avey Johnson dances a cultural nation dependent on diasporic connections in Praisesong for the Widow (1983). Naylor's Willow Springs proves fertile island ground in Mama Day (1988) for women's work to map nation, unearth an archive, and mother the next generation. Shange's recipe-laden novel Sassafrass, Cypress & Indigo (1982) and later cookbook if I can Cook/you Know God can (1998) posit cooking as theory and practice of community. In Morrison's Paradise (1997), women write and paint records of their individual and collective histories. This group of writers uses Africa, the Sea Islands, the Caribbean, the American South, the kitchen, the dance floor, and the garden as spaces that help define a distinctly African American collectivity practiced in highly local, concrete work for fashioning self and community. In these practices, cultural nationalism comes to rely not on the imagined and far away, but on the lived and local.
