Explores the idea of diaspora and musical exchanges in relation to changes in Colombian popular music, specifically that from the Caribbean coastal region of the country, often identified as more or less African-influenced. It traces changes that occurred from the 1920s onward, with the commercialization of cumbia and porro and related styles, and looks also at more recent developments around vallenato, champeta, and rap.
Marable,Manning (Author) and Agard-Jones,Vanessa (Author)
Format:
Book, Whole
Publication Date:
2008
Published:
New York, NY: Palgrave Macmillan
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
366 p, Includes Brian Meeks's "Reinventing the Jamaican political system"; Joseph Jordan's "Afro-Colombia: a case for pan-African analysis"; Ricardo Rene Laremont and Lisa Yun's "Mutual inspiration: radicals in transnational space: The Havana AfroCubano movement and the Harlem Renaissance: the role of the intellectual in the formation of racial and national identity"; and Asale Angel-Ajani's "Out of chaos: Afro-Colombian peace communities and the realities of war";
