Black nationalist Marcus Garvey, founder of the Universal Negro Improvement Association (UNIA), emphasized the relevance of Haiti's historical past because Haiti was the land where the Negroes repelled the Whites and established an independent republic. In the same vein, writers of the Harlem Renaissance embraced Haiti's history and culture. Claude McKay's work, for example, is replete with tales of Haiti's heroic past. [Langston Hughes], perhaps the most central figure of the Harlem Renaissance movement, having read of "Toussaint L'Ouverture, Dessalines, King Christophe, proud Black names," made a pilgrimage to Haiti.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
546 p, In-depth treatment of Jewish images of and behavior toward Blacks during the period of peak Jewish involvement in Atlantic slave-holding. Based on a wide-range of sources in several languages.
Goldschmidt,Henry (Author) and McAlister,Elizabeth A. (Author)
Format:
Book, Whole
Publication Date:
2004
Published:
New York: Oxford University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
338 p, Includes Elizabeth McAlister's "The; Jew in the Haitian imagination: a popular history of anti-Judaism and proto-racism"; John Burdick's "Catholic Afro mass and the dance of eurocentrism in Brazil"; and Kate Ramsey's "Legislating 'civilization' in postrevolutionary Haiti"
