Discusses C.L.R. James's chronicle of the history of the Haitian revolution of 1843 in his book 'The Black Jacobins.' Contrast between the behavior of the Haitian slaves during the working day and their conversations around the supper fire; Conscious organization of the Caribbean nation; Processes of communication that took place in the midst of conflicts.
Adler,Joyce Sparer (Author), Adler,Irving (Author), and Jagan,Janet (Author)
Format:
Book, Whole
Publication Date:
2003
Published:
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
106 p, Contents: Wilson Harris : the ideal of unity -- The art of Wilson Harris -- Tumatumari and the imagination of Wilson Harris -- Wilson Harris and twentieth-century man -- Melville and Harris : poetic imaginations related in their response to the modern world -- Wilson Harris's The womb of space : the cross-cultural imagination -- The evolution of female figures and imagery in Wilson Harris's novels -- Wilson Harris's cross-cultural dialogue with Melville -- Wilson Harris : an introduction
The revisionings proposed by Sultana Afroz regarding the pervasiveness of the African Islamic presence in plantation Jamaica are contested, on grounds of her falsification of demographic data and of contemporary historical sources, non-differentiation in the treatment of historical processes in West Africa, unsubstantiated or inadequate proof of claims, attribution of causality and relatedness to parallel phenomena, questionable etymological assertions, unfamiliarity with African cultural history, and a general tendency to make exaggerated and dogmatic statements. [PUBLICATION ABSTRACT];
"Any attempt to trace the many resonances that historically have been attached to the creole figure in Caribbean literature and culture will be inflected by the long and pervading presence of colonialism in the region and its attendant corollary of hierarchical social separation and difference based on perceptions of race. Indeed, the ambivalent desire and subjective misrecognition that lay at the heart of historical writing about colonialism and racism have tended to frame the issues of monstrosity and exclusion that produced the creole as part and parcel of wider colonial discourses. Thus, the shifting and increasingly unstable inscription of the creole figure echoes, in a certain sense, certain critical ambiguities of politics and temporality that color the colonial encounter and its aftermath. Specifically, in the contemporary English- and French-speaking Caribbean, the multiplicity, displacement, and creative instability that undergird creole-driven theories of postcolonial performance have supplanted this category's suspect beginnings as colonialism's model for the fearfully unnameable and unplaceable hybrid monstrosity, and now increasingly shape the substance of much of the artistic and creative work emerging from the region." --The Author
