African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
218 p, Contents: Origins of the divestiture trope in selected literature of the African diaspora -- Diaspora as a trope for the existential condition -- Resonances of the African continent in selected fiction and non-fiction by Zora Neale Hurston -- Orphanage in Simone Schwarz-Bart's The bridge of beyond and Alice Walker's The third life of Grange Copeland -- Polyphonic texture of the trope "junkheaped" in Toni Morrison's Beloved -- Sociological implications of female abandonment in Buchi Emecheta's Second class citizen and The joys of motherhood -- Success phobia of Deighton Boyce in Paul Marshall's Brown girl, Brownstones -- Madness as a response to the female situation of disinheritance in Mariama Bâ's So long a letter and Scarlet song -- Exile of the elderly in Beryl Gilroy's Frangipani house and Boy-Sandwich -- Conclusion: abandonment as a trope for the human condition;
"Caribbean literatures can claim a unique identity: they are one yet made of many, escaping easy categorization. But, to return to Kincaid, there is a way in which the Caribbean, in academic discourse, has become part of a larger picture which Caribbean inhabitants may not claim or recognize. At issue here is the extent to which academic discourse answers to the people of the region or ignores them." (author)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
xi
Notes:
290 p, Introduction. Conceptualizing creoleness : French Caribbean "postcolonial" discourse. -- La Lézarde : Alienation and the poetics of Antillanité. -- En attendant le bonheur : Creole conjunctions and cultural survival. -- LIsole Soleil/Soufrières : textual creolization and cultural identity. -- LAutre qui danse : the modalities and multiplicities of Métissage. -- Solibo magnifique : carnival, opposition, and the narration of the Caribbean maroon. -- Conclusion. Creolizing the colonial encounter.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
188 p, Esboça a história de diversos gêneros de nossa cultura popular, antigas e novas manifestações, tais como: música caipira e sertaneja, circo, cordel, pastoril, Gilberto Freyre, Brasil-Portugal, uma definição de música popular, gosto musical, tecnologia, e uma profecia
