A graduate of Howard University and the Wharton School of Business in Philadelphia, Crenshaw currently serves as vice president for economic development of the Washington, D.C.-based Organization of Africans in the Americas (OAA). Founded nearly six years ago as a support group, OAA functions as a resource and referral center of data, service and empowerment of Africans in the Americas. Nevertheless, Franklin is eager to point an emerging Black movement across Latin America that is battling to become a part of the political and economic process of the region. "We are now working very hard to ensure that genuine changes are brought about, especially as they affect the lives of the millions of Blacks in Latin America," the OAA executive director said. Some of those changes include linking Black Latin students and other aspiring small entrepreneurs with the Howard University Small Business Center in northwest Washington, D.C. "We are working to develop sustainable linkages between Blacks in America and Blacks in Latin America," said Crenshaw, who noted that Howard already has a growing number of Black Latin American students.
New York London: Twayne Publishers Prentice Hall International
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
xix
Notes:
139 p, Contains: The complexity of complexion: reading and understanding Black Hispanic writing -- Biography and Black autobiography: Black Hispanic writers and the autobiographical statement -- Slavery and the pivotal Afro-Cubans: Juan Francisco Manzano's Autobiografía, Nicolás Guillén's El diario que a diario, and Nancy Morejón's "Mujer negra" -- Miscegenation and personal choice in Venezuela: message and mestizaje in Juan Pablo Sojo's Nochebuena negra -- Ambiguity, locura, and Black ambition in two Afro-Ecuadorian novels: Adalberto Ortiz's Juyungo and Nelson Estupiñán Bass's El último río -- Epic, civic, and moral leadership: Manuel Zapata Olivella's Chambacú, coarral de negros; Changó, el gran putas; and Levántate mulato -- Black poetry and the model self: Pilar Barrios's Piel negra and Gerardo Maloney's Juego vivo -- Two black Central American novelists of antillano origin: race, nationalism, and the mirror image in Cubena's Los nietos de Felicidad Dolores and Quince Duncan's Los cuatro espejos -- Dominican blackness: Blas Jiménez's Caribe africano en despertar and Norberto James's Sobre de la marcha -- Passing the torch: Nicomedes Santa Cruz's Ritmos negros del Perú and Antonio Acosta Márquez's Yo pienso aquí doned...estoy -- From authenticity to "authentic space": the emergence, challenge, and validity of Black Hispanic literature.
