African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1001 p, Contents include: TELL MY HORSE -- Part 1. Jamaica -- The rooster’s nest -- Curry goat -- Hunting a wild hog -- Night song after death -- Women in the Caribbean -- Part 2. Politics and personalities of Haiti -- Rebirth of a nation -- The next hundred years -- The black Joan of Arc -- Death of Leconte -- Part 3. Voodoo in Haiti -- Voodoo and the voodoo gods -- The Isle of La Gonave -- Archahaie and what it means -- Zombies -- Sect rouge -- Parlay cheval ou (Tell my horse) -- Graveyard dirt and other poisons -- Doctor Reser -- God and the Pintards -- Songs of worship to voodoo gods: Maitresse Ersulie ; Férailke ; Rada ; Janvalo (Jean Valdo) -- Saint Jacques ; Petro ; Ibo ; Damballa ; Ogoun ; Salongo ; Loco ; Mambo Isan ; Dambala ; Agoë (Agoué te royo) ; Sobo ; Ogoun -- Miscellaneous songs: Sect rouge ; Chant beginning all rada ceremonies ; La mystérieuse méringue / A.L. Duroseau ; Etonnement, méringue caractéristique / A. Herandez ; Bonne humeur, méringue Haitïenne / Arthur L. Duroseau ; Olga, méringue par / Arthur Lyncíe Duroseau ; Chanson de Calicot ; La douceur --
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
238 p, "Mosneron's memoirs illustrate a merchant's life in the golden age of France's major slave-trading port, his austere values, and his persistence. As a young captain, he introduces us to the experience of voyages to the African coast and to the commercial circles of Caribbean colonial ports"--Handbook of Latin American Studies, v. 58.;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 1 videocassette (35 min.)
Notes:
On the Cuban drummer, Francisco Aguabella, who has been so historically influential in the growth of Latin jazz, pop and fusion in the US since the 1950s. (Google)
