[Rosa Guy]'s personal life odyssey has been a major influence on the scope and tone of her writing. Upon arriving in the United States with her parents in the early 1930's and moving to Harlem at the age of eight, Rosa became a prolific observer of African-American culture and the forces that shape its existence in American society. Guy's novels have explored the stifling consequences of poverty in settings as far away as the Caribbean, or as near as New York's Harlem. Once it is published, her newest novel from Dutton Press, The Sun, The Sea, A Touch of the Wind will join an impressive body of literary material authored by Ms. Guy that include: Bird At My Window; A Measure of Time; And Then She Heard A Bird Sing; Edith Jackson; Ruby; Children of the Longing; and Music of Summer.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
187 p., Traces the development of the writer’s Afrocentric vision showing how Marshall’s creative sensibility has evolved—from American to African-American, African-Caribbean, and, finally, Pan-African—and how her distinctive literary style combines Western forms with elements from the African oral tradition.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
173 p, Focuses on two motifs in Marshall's fiction: the "fractired psyche" a consequence of slavery and dispersion, and the journey towards spiritual wholeness whose end is healing within African based community. (JSTOR);
