Biddle,Arthur W. (Author) and Bien,Gloria (Author)
Format:
Book, Whole
Publication Date:
1995
Published:
Englewood Cliffs, NJ: Prentice Hall
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
845 p, Includes Jamaica Kincaid's "Girl"; George Lamming's "A wedding in spring"; Paule Marshall's "from The chosen place, the timeless people"; Edward Kamau Brathwaite's "Red rising" and "Xango"; Jean Rhys' "The day they burned the books"; Simone Schwarz-Bart's "from The bridge of beyond"; Grace Nichols' "Wherever I hang" and "Tropical death"; Michelle Cliff's "If I could write this in fire, I would write this in fire"; Lorna Goodison's "The mulatta and the minotaur," "Lullaby for Jean Rhys," "Nanny" and "For my mother (may I inherit half her strength)"; Aimé Césaire's "from Return to my native land"; Joseph Zobel's "The gift"; Derek Walcott's' "Sea grapes," "The swamp," and "The castaway"; V.S. Naipaul's "from The mystic masseur"; and /Earl Lovelace's "from The dragon can't dance"
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p, Includes chapters "Of mangoes and maroons : language, history, and the multicultural subject of Michelle Cliff's Abeng," "Toward a new antillean humanism: Maryse Condé's Traversée de la mangrove," "Inscriptions of exile: the body's knowledge and the myth of authenticity in Myriam Warner-Vieyra and Suzanne Dracius-Pinalie," and "Geographies of pain: captive bodies and violent acts in Myriam Warner-Vieyra, Gayl Jones, and Bessie Head"
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
183 P., "Demonstrating how Latin American magical realism and Holocaust literature reflect and refract in literary form the carnivalesque spirit of
inversion, intensification of experience, and hallucinatory strangeness. Drawing on the works of Mikhail Bakhtin, Carl Jung, James Frazer, and others, Danow is able to suggest a striking and subtle connection between two genres that on the surface
would appear to have little in common." --Lynn Gelfand, Folklore Forum 29:1 (1998), p. 130.
