The Caribbean space is characterized by its cultural pluralism and is the scene of one of the most complex processes of syncretism and transculturation in America. Music, as an element of integration and at the same time of regional differentiation, is deeply rooted in the collective consciousness of the people of the Caribbean and is strongly associated with the identity that defines the region.
Mona, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
168 p., Provides an accessible account of a poorly understood aspect of Jamaican popular culture. It explores the socio-political meanings of Jamaica's dancehall culture. In particular, the book gives an account of the power relations within the dancehall and between the dancehall and the wider Jamaican society.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Translation of: The pearl of the Antilles; or, An artist in Cuba.
Originally published: London, H.S. King, 1873., 308 P., "Cuba having lately become a prominent object of attention, both to Europe and America, I venture to think that any trustworthy information that can be given respecting it, may prove acceptable to the reader. I approach my task with no great pretensions, but yet with an experience acquired by many years' residence in the Island, and an intimate intercourse with its inhabitants. I arrived there in 1864, when Cuba was enjoying uninterrupted peace and prosperity, and my departure took place in the first year of her adversity. Having thus viewed society in the Island under the most opposite conditions, I have had various and ample opportunities of studying its institutions, its races and its government; and in availing myself of these opportunities I have endeavoured, as far as possible, to avoid those matters which are alike common to life in Spain and in Cuba." --The Author
This study examines the identity categories of gender and race in the Cuban context of the first thirty years of the Revolution and focuses on black and mulata women, in which both categories converge. In this work I analyze the literary discourse of the Afro-Cuban female poets between the 1960s and 1980s and discern the role of self-representation that each of these poets constructs within the framework of "being black" or "mulata" woman. Also, since gender and race are redefined by the dominant power, this project analyzes the political hegemonic discourse of the period in relation to race and gender, and illuminates its role in preserving racial stereotypes as well as the patriarchal normatives of gender.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
296 p, This book was originally published in 1959 in Cuba which includes the rituals of the Society Abakua narrated according to the author. The secret society fraternal, religious , cultural and mutual Abakua , created in 1836 and then built by African slaves for the purpose of dealing with the abuses of slavery. Because of their unquestionable contribution to the racial and cultural integration of the Cuban nation, the Abakua Society was eventually legally recognized.
La Habana, Cuba: Ministerio de Educación, Dirección de Cultura
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
477 p, Examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
489 p, Examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
363 p, "A reprint of this extensive study of Afro-Cuban music examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics. It must be studied in conjunction with Ortiz's Los bailes y el teatro de los negros en el folklore de Cuba (1993) and Los instrumentos de la música afrocubana (1995), both of which have been reprinted. The three works have also been reprinted in Spain (Madrid: Editorial Música Mundana Maqueda, 1997)"--Handbook of Latin American Studies, v. 58.
