African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
194 p., Includes Marie-José Nzengou-Tayo's "Prejuicios acerca de la independencia haitiana : viento negro, Bosque del Caiman de Carlos Esteban Deive," Silvia Valero's "De 'negros' y 'mulatos' en la literatura cubana contemporánea : Elíseo Altunaga, Marta Rojas y la re-escritura de la historia," and Felix Ayoh'Omidire's "La identidad frente al poder : la asimetría ritual de Yemayá en Africa y América Latina."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
126 p., Contents: La lucha contra la discriminación racial y las acciones afirmativas -- La identidad del afrocubano y el movimiento hip-hop -- Marcus Garvey desde la visión de Gustavo E. Urrutia -- El término "afrocubano" : una contribución olvidada de Fernando Ortiz -- La yorubización en el candomblé y la santería -- Importancia de la fundación del Partido Independiente de Color : amplitud y trascendencia de su programa.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
287 p, Eexamines how a number of "foundational" Argentine authors—Echeverría, Mármol, Sarmiento, Ingenieros, Lugones, and others—either repressed the Afro-Argentine past or portrayed Afro-Argentines in profoundly racist ways. José Hernández (Martín Fierro) and Borges, in their allegedly sympathetic treatment of Afro-Argentines, were notable exceptions. The book has some appealing aspects. Extensive excerpts from the authors Solomianski examines—including, in Chapter 7, from nineteenth-century black newspapers and writers—give readers a vivid sense of literary representations of blackness in Argentina. And his analysis of Afro-Argentine characters in twentieth-century films, plays (including the patriotic skits presented in public elementary and high schools), and tangos is revealing and suggestive.
México, D.F.: Colegio de México, Centro de Estudios Históricos
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
227 p., Contents: Consideraciones preliminares -- Conflictos entre normas y prácticas -- Pequeños roces cotidiannos -- Imágenes construidas en la frontera de las normas -- La literatura y la iconografía : comicidad, exotismo, devoción -- Consideraciones finales.
Princeton University Library Latin American microfilm collection (Author)
Format:
Microfilm
Language:
Spanish
Publication Date:
2009
Published:
Woodbridge, CT: GALE, Cengage Learning
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
From the holdings of the Firestone Library, Princeton University, based on the original inventory prepared by the library staff., 2 microfilm reels., Collection of Peruvian ephemera contains flyers, pamphlets, and reports, as well as magazines and serials. The publications reflect the cultural reality of Peru's ethnic minority groups in the years between 1982 and 2008 and address a variety of subjects from indigenous rights movements and local handicrafts to everyday discriminatory practices. Contents include: Part 1. Afro-Peruvian peoples -- pt. 2. Amazonian peoples -- pt. 3. Andean peoples -- pt. 4. Arts and crafts -- pt. 5. Legal rights and reforms -- pt. 6. Pan-ethnic and indigenista issues -- pt. 7. Racism and discrimination.
This study examines the identity categories of gender and race in the Cuban context of the first thirty years of the Revolution and focuses on black and mulata women, in which both categories converge. In this work I analyze the literary discourse of the Afro-Cuban female poets between the 1960s and 1980s and discern the role of self-representation that each of these poets constructs within the framework of "being black" or "mulata" woman. Also, since gender and race are redefined by the dominant power, this project analyzes the political hegemonic discourse of the period in relation to race and gender, and illuminates its role in preserving racial stereotypes as well as the patriarchal normatives of gender.