3) Spanish and other European immigrants that were encouraged to settle in Cuba as per attempts to "bleach" the island. This was the first time anything like this was seriously proposed since Haiti earned its independence. This is important to note because the "spectre" of Haiti loomed ominously over Spanish and Cuban whites for a century and most of their policies towards Cuba's Blacks were reflective of it. The following year, the Cuban Ward Connerly of his day, Martin Morúa Delgado was elected Speaker in Cuba's Senate. The year after that, Morúa introduced legislation that became known as the Morúa Amendment and it outlaws the PIC because is was based on race and racism was supposedly eradicated in Cuba. Just before the vote was taken to enact this bill into law, Estonez and other PIC leaders were imprisoned and were kept in jail until after the law was passed.
The benefit features Dr. Raul Ruiz Miyares, a professor of Afro-Cuban culture and history at Casa del Caribe, Santiago de Cuba. His lecture, "Cuba & Africanismo: The Making of Revolutionary Culture", will include slides and a video. The benefit also includes: spoken word, an Afro-Cuban folkloric performance, a Caribbean dinner, and a Latin, World Beat dance party, all on Friday, May 2.6 p.m.
The dramatic vision and delicate balance of composition found in Adona's photographic works were developed while working with painter Rozzell Sykes. Her vision was literally changed. The awareness of light, shadows, colors, textures, tones and balance had changed. Soon she began creating with paint, stark images with the feel of Japanese simplicity. [Alisa Adona]'s paintings showed a freshly textured view and an exciting new eye in the Los Angeles art world. Over time, she was compelled to capture what she saw through the lens of a camera, ultimately making photography her new love.
[Assata Shakur]'s comments highlight the long and continuing relationship between African Americans and Cuba. Black abolitionists such as Frederick Douglass and Henry Highland Garnet had actively supported Cuba's struggle for independence from Spain over a century ago. After the revolutionaries seized power in 1959, [Fidel Castro] made a powerful impression among African Americans by staying in Harlem during his first visit to the United Nations. Castro's famous September, 1960 meeting with Malcolm X, to the great consternation of the U.S. government, reinforced the solidarity felt by progressive black Americans toward the revolutionary government.
The news media showed pictures of the immediate family and family friends. What I found amazing is that it appears that only light-skinned Cubans are trying to escape from their homeland. I saw the Cuban basketball team in the late Olympics. I have also seen pictures of Cubans in a television special one by Harry Belafonte. What I saw were dark-skinned Cubans having the time of their lives. It made me wonder, in light of what I have been told by African people living in Florida, that the light-skinned Cubans are more racist that some southerners. What is really going on in Cuba, and what is this Elian Gonzales issue about? The more I got into thinking this way, the more questions were raised. Why are most of the people trying to escape from Cuba light-skinned? Why are the majority of the athletics in the Olympics dark-skinned? The women's basketball team and the volleyballs teams were the bomb. They were some big, pretty sisters. I also thought of the Haitians. Why are Haitians sent back to Haiti and Cubans allowed to stay in America? They are both supposedly oppressed people. The Haitians are dark and the Cubans, who are trying to escape, light. Is there something more than meets the eye?
"You must understand that we are very different in Cuba," insisted Gabriel Molina Franchossi, director of Gramma newspaper, the official organ of the communist party in Cuba. "To Afro-Cubans, big lips and big backsides are objects of beauty. To us, such images represent the feminine ideal." Afro Cubans also seem naive. Cubans are fond of saying that Fidel Castro abolished racism when he came into power 40 years ago, as though this can be accomplished by a simple decree. What they really mean, of course, is that Castro outlawed discrimination And again, who am I to say he hasn't? In the United States, discrimination didn't become illegal until the mid-60s when Congress passed a series of civil rights laws effecting voting rights, equal employment, and fair housing. By 1968, Richard Nixon was ending a wave of white backlash into power and the process of undermining those gains began. Blacks appear to have had a different experience in Cuba, where better than 40 percent of the population is either Black or mestizo (mixed) and where a fair percentage of those who are considered "white" acknowledge some degree of African or mestizo blood in their heritage. "We in Cuba are not so easily categorized as in the United States," said Reynaldo Calviac Lafferte, director of the International Press Center. He pointed to a wall in his office. "In the same family, there are some who are as white as that wall." Then he slapped his patent leathers. "And there are some who are as black as my shoes. For us, race is not an issue like it is for you."
Miami, FL: Florida International University, Cuban Research Institute
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The Cuban Research Institute (CRI) at Florida International University (FIU) is dedicated to creating and disseminating knowledge about Cuba and Cuban Americans. The institute encourages original research and interdisciplinary teaching, organizes extracurricular activities, collaborates with other academic units working in Cuban and Cuban-American studies, and promotes the development of library holdings and collections on Cuba and its diaspora. Founded in 1991, CRI is a freestanding entity within FIU's Steven J. Green School of International and Public Affairs and works closely with its prestigious Kimberly Green Latin American and Caribbean Center.
"Cuba has represented metaphorically the ability of an oppressed people to challenge imperialism and colonialism," Marable explained. "In the political imagination of Black America, Cuba represents the radical possibility of fundamental social change. One of the key questions now is -- what does Cuba represent for Black America in this period of political transition?"
Group AFROCUBA de Matanzas, one of Cuba's most acclaimed folklore groups, is one of the few troupes who showcase the wide diversity of African cultures that survive on the island. The group was founded in 1957 in the city of Matanzas, which is considered the prime repository of African culture in Cuba. AFROCUBA is comprised of 19 very talented drummers, dancers and singers, some of whom display talent in each discipline. Even their government representative, Ileana Hernandez, is a talented singer and dancer. Francisco Zamora Chirino, affectionately known as "Menini" has been the troupe's director for a number of years. The dancers include Julia Zulima Echeoana, Antonio Figueroa, Juan Carlos Golbelm, and Leniel Perez. The percussionists include Osmudo Barbaro Aldazabal, Franciso Dominquez Boada, Reynaldo Gobel, Enrique Mesa, Oluis Cancino Morales, and Pedro Abelle Torrente. The singers include Bertina Aranda, Sara Gobel, and Amparo Rodriquez. Of special note are Maria Dolores Perez and Regla "Pola" Perez, whose sister Ana is the featured dancer with Matanzas "other word famous troupe, Los Munequitos, dancer Reynaldo Gonzalez, and Rameses Zamora, "El Professor," who is a music professor at the University of Matanzas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Part of Tulane University's Stone Center for Latin American Studies responsible for the organization of lectures, performances, courses, symposia, etc.; aimed at promoting an academic and cultural exchange between Cuba and the US.
