Read in the context of the Americas and the plantation system, Jean Rhys's fiction is a global vision of modernity. The vision appears through colonialist stereotypes of idle and lazy West Indians displayed in dynamic interaction with scenes of actual toil and servitude that appear everywhere in Rhys's fiction. Focuses on Voyage in the Dark (1934), the short story ‘Temps Perdi’ and Rhys's last novel Wide Sargasso Sea (1966).
