Under the patronage of Jamaica's Consul General, Franz Hall, the event will feature one of Jamaica's cultural icon and accomplished cultural actress, Marguerite Newland who will share perspectives of her relationship with the late Hon. [Louise Bennett-Coverley] "Miss Lou" OJ, MBE. (1919-2006), former international cultural ambassador. Newland, communication consultant and broadcaster, has had a wide range of experience in the dramatic arts since she began performing in 1968. Her theatre profile include works with notables such as Basil Dawkins, Easton, Oliver Samuels among others.
Expo Jamaica recognizes this beautiful synergy and has been for the last forty one (41) years the mecca for All Things Jamaican. As the longest running multi-sectoral trade show in the Caribbean, Expo Jamaica (formerly The JMA/JEA Expo) has become more than just an event, it's an experience. For four days every two years we showcase the best of what Jamaica has to offer to the world, connecting the Diaspora with the products they love. A megashow, Expo Jamaica has become a staple in the Jamaican calendar for businesses and consumers alike, to taste, see and truly feel Jamaica.
IATI is a New York-based, nonprofit performing arts organisation, established in 1968, dedicated to serving both English and Spanish-speaking audiences of all ages. Its productions aim to be both play and provocateur, combining the prose of Gabriel Garc'a Marquez with the intrigue of Borges and Cortázar.
Traditional Maroon culture was, however, determined to be in need of safeguarding and protection because of several factors. Chief among these was the fact that transmission of traditional knowledge from elders to younger generations was not taking place on the scale it was used to and the fact that migration patterns saw large numbers of Maroon youth leaving the traditional sites of settlements. In response, UNESCO was petitioned to assist in safeguarding traditional Maroon culture in Jamaica, in particular, that of the Maroons of Moore Town, who were deemed to be the most remote. In November 2003, UNESCO declared the Maroon Heritage of Moore Town as a Masterpiece of the Oral and Intangible Heritage of Humanity. This action facilitated the implementation of measures geared toward documenting, for posterity, traditional Maroon cuisine, language, the Kromanti play and the craftsmanship associated with the creation of tools and implements such as their unique Prentin drum, fishpots, spears and the abeng.
This is a narrative of Jamaica told on a musical crescendo, no 'bungar.ung'. Just the words of Jah. `Equal Rights: Reggae and Social Change' is seeking to transform the bare walls of the Jamaica Music Museum, stringing together notes of this truly Jamaican genre. "Since reggae is Jamaican, we have used it to convey the message," said Herbie Miller, director/curator of the Jamaica Music Museum. "It is a journey highlighting socio-political and spiritual sensibility." The realm of the `happy go lucky' Jamaica transitions to Ska depicting plain and modern art building the crescendo of social change as the legendary Bob Marley and the Wailers resonate 'Get Up Stand Up', evolution of musicians on the frontline of social change.
Congressman Gregory Meeks who represents the Sixth Congressional District of South East Queens, home to a large Haitian migrant population, also expressed his concern about [Jean-Bertrand Aristide]'s removal from office and the role the United States, might have had in the affair. "I'm one who thinks that Aristide had some problems in the country. However, I believe in the institution of democracy and that we needed both sides to sit down pursuant to the CARICOM agreement," he told the Gleaner. Other members of the delegation who called on Secretary General [Kofi Annan] were Congresswoman Barbara Lee of California; Kendrick Meek from Florida; Donald Payne - New Jersey; Major Owen - New York; John Conyers - Michigan and actor and human rights activist, Danny Glover.
[Carolyn Cooper] said there is a dissonance between "the brand" and the "representation of the brand" and that "until in Jamaica we come to acknowledge Jamaica is not an "out of many, one people" country but it is really a country of black people with small numbers of ethnic minorities, we're not going to get the brand right." 'At Independence, Emancipation Day just disappeared. Because if you have Emancipation Day, then you have to ask yourself what you were emancipated from. And then certain people would have to say, well, we were mixed up in it. Slavery, that is. So Emancipation Day was just erased,"she said. "But Garveyites and Rastafari kept the tradition of celebrating Emancipation Day. And it's now back on the national calendar. We even have an Emancipation Park!" "This book is a celebration of Brand Jamaica, the authentic Brand Jamaica and I hope that as you read it, you'll understand why I'm so passionate about the subject," said Cooper as she ended her remarks.
New York: Cruising into History was the theme at a luncheon last Wednesday, hosted by editorial director of Essence Magazine, Susan Taylor onboard the Serenade of the Seas, a Royal Caribbean luxury liner. To commemorate Haiti's bi-centennial anniversary of independence, Ron Daniels, executive director of the Center for Constitutional Rights, developed the concept of Cruising into history. On August 12-21, 2004, `Cruising into History' will celebrate the 200th anniversary of Haitian Independence.
Long before reggae became a global superstar in the 1970s and since then the iconic expression of Jamaican culture, it was Jamaica's performing arts groups that were the standard bearers of the nation's image, chief among them the National Dance Theatre Company (NDTC) and the Jamaica Folk Singers which were established in 1962 and 1967 respectively. New works have similarly been introduced into the repertoire, many choreographed by the young members. The NDTC's organic relationship with the School of Dance and the entire cultural umbrella of the Edna Manley College of the Visual & Performing Arts and the Little Theatre Movement ensures that there's a continuous and dynamic exchange of ideas, teaching and talent. A number of the senior dancers and choreographers are in fact lecturers at the School of Dance.
